Journalist, Author & Syndicated Columnist
One of the strangest things about Korean celebrity culture is the number of famous people who are essentially forced to issue apologies for doing normal, everyday things (that their detractors themselves are probably doing).
It’s not easy for two well-known celebrities to immerse themselves in their roles so well that we don’t see them, but rather their characters. But watching IU’s music video for “Love Wins All,” I didn’t see pop stars IU and V, but rather a pair of anguished characters who were trying desperately to survive in this post-apocalyptic inferno.
Following Lee Sun-kyun’s death, you are going to read a lot on social media and in newspapers about how South Korea has the highest overall suicide rate of all countries. And while someone will surely write a think piece about South Koreans being predisposed to dying by suicide, it’s important to remember how South Korea came to be an economic powerhouse and how its citizens’ well being was secondary to the country’s greatness.
The gore in this K-drama is intense and unrelenting — so much so that it ironically begins to lose impact. But amidst all the violence are well-developed stories of families, love and patriotism — and that’s what prevents this series from being just another horror show.
“BTS Monuments: Beyond the Star” isn’t always easy to watch. Very real issues are discussed, including severe depression that hints at suicidal ideation. But what comes through is that it’s the group’s hope, friendship, humor and love that binds them together.
There is a lot to unpack in “Castaway Diva.” On the surface, it’s about a teenager who has been trapped on an island for 15 years, is rescued, and pursues her dreams of becoming a K-pop idol. And that is an interesting enough premise as it is. However, the real thrust of this K-drama is the long-lasting ramifications of abuse, even after the victims have grown up and have long been separated from the abusers.
A reminder that it’s really gross to tell people that their identity is determined by what language they speak — or what language they choose to sing in. Part 2 of my coverage of that problematic NYT K-pop podcast.
The thesis of the New York Times’ podcast questions whether K-pop is still K-pop if sung in English. It also questions whether Korean artists should even be singing in English, since there are so many Western artists who already sing in, you know, English…
Split into two parts, this 21-episode sageuk – or historical drama – showcases the amazing chemistry between lead actors Namkoong Min and Ahn Eun-jin. Set during the Qing invasion of Joseon, this K-drama is as much of a story of resilience as it is about love.
SUBSTACK is the space where I curate my reviews and views about Korean-centric things happening in the pop culture realm (and beyond) that pique my interest…and I hope yours, too.