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How to watch “The Scarecrow” (my favorite show of the year), “A Bona Fide Killer,” and more during VIKI’s 4th Annual K-Drama Celebration
Journalist, Author & Syndicated Columnist
How to watch “The Scarecrow” (my favorite show of the year), “A Bona Fide Killer,” and more during VIKI’s 4th Annual K-Drama Celebration
Some people mistakenly describe K-dramas (even the best K-dramas) as soap operas. While daytime shows certainly exist in Korea—typically airing Monday through Friday for about 50 to 200+ episodes—the K-drama umbrella covers a multitude of genres. Read more in my latest article for Teen Vogue.
Based on the real-life Hwaseong Serial Killer who brutally murdered 15 South Korean girls and women from 1986-1994, The Scarecrow covers much of the same ground as Bong Joon-ho’s 2003 film Memories of Murder. But this K-drama more than holds its own, adding fictional twists to keep viewers engaged and guessing.
In one of the most delightfully clever K-dramas of 2026, Yoo Yeon-seok portrays Shin Yi-rang, a smart attorney who no one will hire. Why? Because his now-deceased father had been accused of being a corrupt prosecutor, and no law firm wants to have their company associated with those allegations.
VIKI is celebrating its third annual K-Drama Day by removing the paywall from 10 popular shows on the streaming site.
2025 isn’t over yet, but it’s already been an exciting year for some of the best K-dramas. Though “Squid Game” has come to an end (for now) that doesn’t mean there aren’t still plenty of Korean dramas to obsess over.
Each of us has our own favorite K-dramas that are informed by our own personal experiences (and access). For instance, I was never able to get my hands on South Korea’s early dramas like “Death Row Prisoner,” which premiered in 1956. Therefore, my picks are influenced by what I’ve seen, which are primarily shows from 2000 onward.
Being No. 1 certainly is an achievement. But what “Study Group” tells us is that the process of learning is the true achievement, and that these small victories are worth celebrating.
It was an excellent year for Korean dramas — and with Squid Game season 2 on the horizon, there’s more to come.
Starring Shin Min-a and Kim Young-dae, “No Gain No Love” falls into the contract marriage trope. But, oh, it offers so much more.
It’s easy to create a happily ever after finale that makes viewers satisfied at that moment. But after they move onto the next K-drama, it’s forgotten. “Queen of Tears” has a bittersweet ending that will remain with viewers long after the credits have rolled. Honestly? I can still feel the poignancy of those final few moments, which encapsulated how beautiful even a complicated relationship can be — and also how lonely one can feel when it’s all over.
This fast-paced K-drama kills off its protagonist (Lee Dong-wook) early on, but we see him throughout the show in flashbacks. He was the owner of a mysterious online mall where buyers could order mundane gardening hoses.
What a year for great K-dramas. With so many choices, it was difficult leaving out some of my favorites from this best K-dramas list. As for my top selections, I chose them because each is binge-worthy and features superb acting, well developed storylines that inform and celebrate, and explorations of real-life issues that may be specific to South Korea, but also share universal relevance.
Split into two parts, this 21-episode sageuk – or historical drama – showcases the amazing chemistry between lead actors Namkoong Min and Ahn Eun-jin. Set during the Qing invasion of Joseon, this K-drama is as much of a story of resilience as it is about love.
Based on the novel by former psychiatric nurse Lee Ra-ha and helmed by “All of Us Are Dead” director Lee Jae-gyu, “Daily Dose of Sunshine” tackles the very real world problems of how unkind society can be to people suffering from mental health issues.
There is a lot going on in “Moving,” Disney’s most-watched K-drama to date. Initially, it appears the series will center on heroic teenagers. But as intriguing as the storylines are for the children, it’s the parents’ arcs that really piqued my interest.
Like “Our Blues,” “My Liberation Notes” and “Reply 1988,” “The Good Bad Mother” is a slice-of-life series filled with quirky characters who are overly interested in each other’s business. They support each other, are jealous of each other’s children and talk smack about each other. But if an outsider dares to do the same, hell hath no fury like a neighbor scorned.
“It’s my dream to travel around the world and play with local musicians playing their traditional instruments,” Suga says in his documentary Suga: Road to D-Day. “It’s my dream to record them and make music based on that.” But he has trepidation, too. “I worry that I won’t have anything to talk about,” Suga says. “I have fears that I have no more dreams to follow.”
“j-hope IN THE BOX” is told in a non linear way, starting in Seoul 52 days before j-hope’s performance at Lollapalooza, where he made history as the festival’s first Korean headliner — a feat that even he found surprising. The lead up to the concert — which fans dubbed Hobipalooza — depicts the pain the rapper took to ensure that his debut as BTS’ first solo artist would be nothing short of perfection.