Journalist, Author & Syndicated Columnist
What a year for great K-dramas. With so many choices, it was difficult leaving out some of my favorites from this best K-dramas list. As for my top selections, I chose them because each is binge-worthy and features superb acting, well developed storylines that inform and celebrate, and explorations of real-life issues that may be specific to South Korea, but also share universal relevance.
Split into two parts, this 21-episode sageuk – or historical drama – showcases the amazing chemistry between lead actors Namkoong Min and Ahn Eun-jin. Set during the Qing invasion of Joseon, this K-drama is as much of a story of resilience as it is about love.
Each of us has our own favorite K-dramas that are informed by our own personal experiences (and access). For instance, I was never able to get my hands on South Korea’s early dramas like “Death Row Prisoner,” which premiered in 1956. Therefore, my picks are influenced by what I’ve seen, which are primarily shows from 2000 onward.
Based on the novel by former psychiatric nurse Lee Ra-ha and helmed by “All of Us Are Dead” director Lee Jae-gyu, “Daily Dose of Sunshine” tackles the very real world problems of how unkind society can be to people suffering from mental health issues.
There is a lot going on in “Moving,” Disney’s most-watched K-drama to date. Initially, it appears the series will center on heroic teenagers. But as intriguing as the storylines are for the children, it’s the parents’ arcs that really piqued my interest.
Like “Our Blues,” “My Liberation Notes” and “Reply 1988,” “The Good Bad Mother” is a slice-of-life series filled with quirky characters who are overly interested in each other’s business. They support each other, are jealous of each other’s children and talk smack about each other. But if an outsider dares to do the same, hell hath no fury like a neighbor scorned.
“It’s my dream to travel around the world and play with local musicians playing their traditional instruments,” Suga says in his documentary Suga: Road to D-Day. “It’s my dream to record them and make music based on that.” But he has trepidation, too. “I worry that I won’t have anything to talk about,” Suga says. “I have fears that I have no more dreams to follow.”
“j-hope IN THE BOX” is told in a non linear way, starting in Seoul 52 days before j-hope’s performance at Lollapalooza, where he made history as the festival’s first Korean headliner — a feat that even he found surprising. The lead up to the concert — which fans dubbed Hobipalooza — depicts the pain the rapper took to ensure that his debut as BTS’ first solo artist would be nothing short of perfection.
In an unusual cinematic coincidence, two critically acclaimed films about South Korean adoption were released in December depicting different sides of the adoption story. Broker focuses on a teenage girl who leaves her infant at a church’s safe haven baby box, while Return to Seoul tells the story of a French woman who reunites with her birth family just days after arriving in Korea. To better understand how these films speak to real-life adoptees, I talked to Korean academics, human rights experts, and adoptees. My reported piece for MASHABLE.
Describing “Reborn Rich” is tricky without giving away the ending. Is this K-drama a time-traveling thriller? Or a revenge series with the poor battling the obscenely wealthy? Maybe it’s a tale of repentance? It’s all that and more. Smart and calculated without resorting to tired tropes, “Reborn Rich” offers powerhouse performances by Song Joong-ki (in two roles) and master actor Lee Sung-min (“Misaeng”), who at just 54, convincingly portrays the former’s grandfather.