“Weak Hero Class 1” (약한영웅 Class 1)

Park Ji-hoon is almost unrecognizable from his Wanna One days. Leading this cast, which also includes Choi Hyun-wook (Twenty Five Twenty One) and Hong Kyung (D.P.), Park is so intensely good as a bullied boy who uses classical conditioning (Pavlov’s Dog) and Newton’s Laws of Motions to fight back against his tormentors.

Don’t believe the K-dramas: Look to “Return to Seoul” for a more realistic view on Korean adoptees

In the superb “Return to Seoul” – which is Cambodia’s Oscar entry for the Best International Film category – French Cambodian filmmaker Davy Chou (“Golden Slumbers”) takes a look at what it means to be an adoptee who unexpectedly is reunited with her birth parents.

The 11 Best K-Dramas of 2022 to Watch Immediately

The best K-dramas of 2022 were bookended by a pair of brutal teen-centric dramas that premiered at the beginning of the year (“All of Us Are Dead”) and the end (“Weak Hero Class One”). They frame a year of superb Korean dramas, so many that it was difficult to narrow it down to just 11 top picks.

“One Ordinary Day” (어느 날)

As Hyun-soo, Kim Soo-hyun is superb in a difficult role where he has to be sympathetic, but also could be a cold-blooded and manipulative killer. His role requires him to cry in a manner that allows viewers to feel his panic and fears. And Kim comes through again superbly, proving he is one of the best actors of his generation.

“Extraordinary Attorney Woo” (이상한 변호사 우영우)

I loved “Extraordinary Attorney Woo.” The storylines were compelling and the actors did a fine job in bringing their characters to life. Park Eun-bin has been singled out for her extraordinary portrayal of a highly-functioning autistic attorney. But that’s where my conflict lies. As many autistic people have already pointed out, as good as Park was in her role, it is unsettling to watch a non-disabled actor portray a character who is on the spectrum. Most of my friends and acquaintances who have autistic children said they couldn’t force themselves to watch beyond the first episode, because her portrayal felt like a mockery of what they live through.

“Thirty-Nine” (서른, 아홉)

“Thirty-nine” is a reminder that while we’ve all made mistakes in our lives, we can’t continue to punish ourselves forever. Life is short. There is no guarantee of a tomorrow. Be honest and live your best life.

“Twenty-Five Twenty-One” (스물다섯 스물하나)

The burgeoning romance in “Twenty-Five Twenty-One” is based on a strong friendship. But some viewers have pointed out that the story would’ve been more effective if the female lead character hadn’t been underage when they met.

How “All of Us Are Dead” Uses a Zombie Attack to Examine Korean & Global Issues

There’s a lot to unpack underneath the surface of Netflix’s hit zombie thriller. Here are six examples of how “All of Us Are Dead” utilizes the zombie genre to reflect on societal issues that are reflected around the world, with a focus on some issues unique to South Korea.