11 Best K-dramas of 2020
11 Best K-Dramas of 2020: Rivals, Lovers, and Slow Burning Intrigue. These shows are must-watch television. My latest for Teen Vogue.
Tag: 3.5 stars
“It’s Okay to Not Be Okay” (사이코지만)
“It’s Okay to Not Be Okay” is an unconventional love story that also focuses beautifully on mental health. It depicts how the aftermath of abuse and abandonment affects the psyche, but reaffirms that no one is a lost cause — and that seeking help is self love.
“Train to Busan” (부산행)
“Train to Busan” does a great job at depicting how people deal with death during unthinkable times. When your loved one is infected and your only option is to perish (as human beings) with them or kill them so that you (and others) can survive, what would you do?
“Crash Landing on You” (사랑의 불시착)
A couple months after the series finale aired, I still find myself missing the characters in the superb K-Drama, “Crash Landing on You.”
“When the Camellia Blooms” (동백꽃 필 무렵)
“When the Camellia Blooms” starts off with so many things happening at once that it’s initially difficult to focus on all the different story arcs: a serial killer, small-town pettiness, marital issues and the possibility of romance. But as the series progressed, each consecutive episode found its focus and finished with a sweet and satisfying finale that felt true to the characters. There is death and sadness dotted throughout the series. But at its core, “Camellia” is a story of love — not just between a man and a woman, but between parents and their children.
“Signal” (시그널)
“Signal” makes you ponder the consequences of altering life. Is it fate for a person to die at a certain time, no matter how horrific that death might be? And knowing that saving someone’s life in the past could create catastrophic results in the future, would you still take that chance?
“BTS: Bring the Soul”: Episode 6
The finale of “Bring the Soul” coincides with the end of the European leg of BTS’ 2018 “Love Yourself” world tour. Each member is given his moment in the spotlight, but this episode was almost a coming-of-age tribute to Jungkook (who had just turned 21 on tour).
“Search: WWW” (검색어를 입력하세요: WWW)
“Search: WWW” is the only K-Drama I can think of where women had the kind of lead roles that ordinarily would’ve gone to men. The female characters not only were the rainmakers where they worked, they were the decision makers who the men followed.
“Hotel del Luna” (호텔 델루나)
Hotel del Luna is a gorgeous five-star hotel that only accepts dead souls, before they move onto heaven or hell. Yeo plays a Harvard-educated hotelier who is forced to work at the eponymous establishment, due to an agreement his father had made years ago. His boss is the otherworldly Mal-Wol, who has run Hotel del Luna for the past 1,300 years. She is neither dead or alive, but can’t peacefully enter the afterlife until she has settled her personal business on earth. Though the pair’s relationship starts off contentiously, they slowly fall in love and feel they are tied together by a force that can’t be explained.
“Ms. Hammurabi” (미스 함무라비)
Like most Korean dramas, there is a love triangle in “Ms. Hammurabi.” The difference is that there are so many interesting plots developing here that I cared more about the human rights issues that the judges were fighting for than the romance.
“Her Private Life” (그녀의 사생활)
“Her Private Life” starts off as a clever comedy about Sung Duk-Mi — a cultured art curator who also is a diehard fangirl. But it also deftly tackles child abandonment, reunification and forgiveness. The concept of what constitutes a family was a recurring theme. It was refreshing to see that relationships based on bloodlines weren’t the only ones valued and that families are sometimes borne from tragic circumstances.
“Kill Me, Heal Me” (킬미, 힐미)
I finished watching the final episode of “Kill Me, Heal Me” early this morning, and I am left with a sense of melancholy — not because the ending was unhappy (it wasn’t), but because the series was so good I wanted to see more. This K-Drama unravels at a languid pace. As each new backstory is revealed, it felt like a jolt to my heart.
“Romance Is a Bonus Book” (로맨스는 별책부록)
I could go on and on about the romance elements. But because I knew the lead character would be fine regardless of who she chose — and that the men would be OK as well — I was more fascinated by the dynamics at the workplace and how difficult it can be for women to juggle being a mom with having a job outside of the home.
“Mr. Sunshine” (미스터 션샤인)
Helmed by writer Kim Eun-Sook and director Lee Eung-Bok — who previously collaborated together on “Descendants of the Sun” and “Goblin: The Lonely and Great God” — the misleadingly named “Mr. Sunshine” does a beautiful job of juggling multiple story lines that are full of suspense, intrigue and achingly quiet romance.
“Because This Is My First Life” (이번 생은 처음이라)
“Because This Is My First Life” is a bittersweet series about two broken people who decide to cohabitate for financial reasons. It is also a story that is heartwarming, funny and romantic. The melancholy start to this Korean drama gave me the same feels as “Pretty Noona Who Buys Me Food” (in a good way).
“While You Were Sleeping” (당신이 잠든 사이에)
One of the things that I really love about Korean dramas is that many of them center around protagonists who knew each other as children — and reunite as adults. And such is the case with “While You Were Sleeping,” which follows a group of young adults who inexplicably see each other in their dreams.
“W” (더블유)
When “W” begins, we meet Chul, who is a 17-year-old wunderkind who wins a gold medal in the Air Pistol Shooting competition at the 2004 Athens Olympics. Not long afterwards, he is framed for murdering his parents and two younger siblings.
“What’s Wrong with Secretary Kim” (김비서가 왜 그럴까)
There’s very little wrong with the chemistry in the Korean series, “What’s Wrong with Secretary Kim.” The attraction between the main characters is so strong that (of course) the off-screen dating rumors have surfaced. Both Park Seo-Joon and Park Min-Young deny they are anything more than friends, but you almost can’t blame netizens for their wishful thinking.
“Suspicious Partner” (수상한 파트너)
A legal thriller filled with comedy and romance, “Suspicious Partner” is an addictive K-Drama that will keep viewers engaged. Don’t let the 40 episodes put you off. Each episode is less than half an hour long. And the plot is so engaging that the 20 hours goes by quickly.
“BTS: Burn the Stage”: Episode 8
Moreso than any of the previous episodes of “Burn the Stage,” this finale is a love letter from BTS to their fans. The eight-part docu-series ended with “Spring Day” playing over the credits. As many of you already know, that song touches my core every single time I hear it, so I’m a little verklempt as I write this.