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How to watch “The Scarecrow” (my favorite show of the year), “A Bona Fide Killer,” and more during VIKI’s 4th Annual K-Drama Celebration
Journalist, Author & Syndicated Columnist
How to watch “The Scarecrow” (my favorite show of the year), “A Bona Fide Killer,” and more during VIKI’s 4th Annual K-Drama Celebration
Some people mistakenly describe K-dramas (even the best K-dramas) as soap operas. While daytime shows certainly exist in Korea—typically airing Monday through Friday for about 50 to 200+ episodes—the K-drama umbrella covers a multitude of genres. Read more in my latest article for Teen Vogue.
This charming fish-out-of water K-drama explores timeslips, shamanism, betrayal and, most of all, unconditional love that spans eras.
There is a contingent of people who do not approve of adults hitting children. I am one of those people. But I also recognize that in a fictional setting like this, it can be incredibly cathartic to watch morally reprehensible youngsters getting their comeuppance — especially for real-life victims of school violence whose lives were treated as dispensable by those who were supposed to protect them.
Based on the real-life Hwaseong Serial Killer who brutally murdered 15 South Korean girls and women from 1986-1994, The Scarecrow covers much of the same ground as Bong Joon-ho’s 2003 film Memories of Murder. But this K-drama more than holds its own, adding fictional twists to keep viewers engaged and guessing.
Saying “I don’t see color” doesn’t mean you’re not racist. How this second season of “Beef” tackles Korean identity.
This charming trilogy ends with a happily-ever-after for our heroine Yumi (Kim Go-eun). Seasons 1 and 2 were all about her relationships with Woong (Ahn Bo-hyun) and Ba-bi (played by GOT7’s Jinyoung), who at various times seemed like the perfect men for her.
In one of the most delightfully clever K-dramas of 2026, Yoo Yeon-seok portrays Shin Yi-rang, a smart attorney who no one will hire. Why? Because his now-deceased father had been accused of being a corrupt prosecutor, and no law firm wants to have their company associated with those allegations.
Made in Korea doesn’t flinch in its portrayal of corruption by both the Korean government and its strongest ally, the U.S. military. Director Woo Min-ho presents a Korea where there are no heroes, but rather desperate survivors caught in the crosshairs.