Journalist, Author & Syndicated Columnist
“My Ahjussi” is a satisfying K-Drama focusing on Dong-Hoon, a mid-level engineer who lives a mundane life. He works hard, hangs out with his brothers every evening and goes home to a house where his wife is rarely there. And if she is, she holes away in her home office and ignores him. It can’t be a coincidence that the set designer chose an apartment complex that looks more like a prison than a home for their residence.
Do you ever watch a K-Drama (or any series, for that matter) where the character is supposed to be a high school student and the actor playing the part looks at least a decade older? (I’m looking at you, “Beverly Hills, 90210”!) Due to labor laws in which underage actors can’t work hours as long as adults, it’s understandable why showrunners would want older artists working on their set. But it’s also an interesting twist when younger actors and actresses play characters who are more mature.
There have been countless think pieces on who will be the next BTS or how someone could create the next BTS. This is an irrational concept, because what they essentially are saying is, “How do we conjure up another group that gets this much press and makes this much money?” If money was all BTS was after, they could retire now and be set for life. But what drives them is the relationship they have with each other and their knowledge of the influence they have on others, which can be channeled into a greater good.
“Search: WWW” is the only K-Drama I can think of where women had the kind of lead roles that ordinarily would’ve gone to men. The female characters not only were the rainmakers where they worked, they were the decision makers who the men followed.
More so than any episode from last year’s “Burn the Stage” (or the first episode of this series), viewers can see how lonely life on the road can be. The seven-man group may smile on stage and charm their interviewers with witty quips and soundbites. But touring can wear them down, even when they know they are in a privileged position that many are envious of.
In the first episode of BTS’ latest docuseries “Bring the Soul,” the group’s leader RM discusses how they fit into their role as superstars. “There are things I can change and things I can’t,” he says. “But I’m doing well now the way that I am.”
“One More Time” was Kim Myung-Soo’s first lead role. Best known to K-Pop fans as L from the group Infinite, he certainly had the look of a singer-songwriter-guitarist down pat. With a better script and direction, he could’ve really done something with this part. But as it was, Tan was an unsympathetic character who was old enough to be responsible, but too immature to give up his rock ‘n roll lifestyle to pay off his considerable debts.
It’s always fun to see Korean groups like BTS, Blackpink and Day6 being interviewed on American talk shows. But it’s also eye-opening to see international acts having fun on South Korean programs, whether it’s Tom Cruise appearing on “Running Man” or NBA star Stephen Curry on “Infinite Challenge.” But one of the most charming segments I’ve seen in a long time is 5 Seconds of Summer’s guest appearance on “YO~! WELCOME TO KOREA!”
In Korean culture, Chuseok is a major holiday that’s equivalent to Thanksgiving. And SBS gave viewers a gift by airing the “BTS Variety Chronicles” — a collection of hand-picked segments from the group’s various variety show appearances on the network. That inspired us to curate our own best of picks, but we’re not going to limit it to just SBS shows or funny moments. Here are some of our favorite BTS appearances. What’s yours?
As a young woman passes by two men, an app on her phone goes off. “There is one person who loves you,” it says. The app is called JoAlarm (좋알람), which alerts users if there is someone within 10 meters who loves them. If you’re thinking that JoAlarm sounds nonsensical, you’re right — in English, it doesn’t make sense. But in Korean, it literally means an alarm to measure if someone likes your. (Remember that Jay Park song, “Joah”/”좋아”? 좋아 means good or to like. Now it makes perfect sense, right?)
Hotel del Luna is a gorgeous five-star hotel that only accepts dead souls, before they move onto heaven or hell. Yeo plays a Harvard-educated hotelier who is forced to work at the eponymous establishment, due to an agreement his father had made years ago. His boss is the otherworldly Mal-Wol, who has run Hotel del Luna for the past 1,300 years. She is neither dead or alive, but can’t peacefully enter the afterlife until she has settled her personal business on earth. Though the pair’s relationship starts off contentiously, they slowly fall in love and feel they are tied together by a force that can’t be explained.
Breaking up is never easy. But for celebrities, they have the additional burden of having their private lives exposed in public. Unlike Song Hye-Kyo and Song Joong-Ki — who in June quietly announced their plans to divorce — Ku Hye-Sun and Ahn Jae-Hyun are having a more contentious dissolution of marriage, thanks to a series of social media posts in which Ku claims she doesn’t want a divorce. Ahn responded by saying that what his wife acknowledged publicly doesn’t align with her actions.
At its core, “Absolute Boyfriend” isn’t about whether the female lead would choose a robot over a human being. Rather, it’s about longing for the robot’s human traits that are lacking in too many people today.
Just two months after his military discharge, Hallyu superstar Kim Soo-Hyun is ready to get back to work. But before he has his official comeback, he’ll make an appearance in the finale of the K-Drama “Hotel Del Luna” (set to air on Aug. 31). Production is being hush-hush, so we don’t know if his role will be that of a mortal or a ghost guest.
One of the things that really impresses me about Korea’s K-Pop idols is how many of them are exceptional actors. And that got me wondering … What would it be like if some of our favorite singers had been cast in some of our favorite K-Dramas?
The old amnesia plot device isn’t new, but it’s something that K-Drama fans have come to love (to hate, sometimes). While it’s a trope, I must admit that many scriptwriters do an admirable job of keeping viewers guessing as to what will happen next.
I love Korean Dramas for a variety of reasons. And although I have a love-hate relationship with all the K-Drama tropes, I’d be lying if I said I wasn’t waiting for them to appear every time I watch a series. Here are some of my favorites — and also some that I love to hate.
To no one’s surprise, BTS – one of the world’s most famous boy bands – won the MTV Video Music Award’s inaugural award for Best K-pop group for their song “Boy With Luv.” The septet didn’t attend the ceremony to accept their Moon Man trophy. While the new category appears to be a nod to the popularity of Korean music in mainstream U.S. pop culture, fans have been vocal that the category is suspicious at best and borderline racist.
It’s not surprising that “One Spring Night” has the same melancholy vibe as “Something in the Rain” (aka “Pretty Noona Who Buys Me Food”). Besides the same leading man, the series reunites screenwriter Kim Eun and director Ahn Pan-Seok. While the storyline is different, the main thrust remains the same: The central male character is deemed as unsuitable to be with the female character, because of an unforgivable character flaw that isn’t a flaw at all.
I knew going into this series who she would end up with (and so will you, because you’re not stupid). I have no problem with that. But what I thought was a cheap cop-out was the way Do-Hyun went from being an upstanding, fun and thoughtful young man in the first season, into a suspicious and jealous boyfriend in this second season.