“Hyena” (하이에나)

“Hyena” shows that being called the best doesn’t mean anything in the real world. The plot depicted South Korea’s insidious system of revering lineage as flawed (and stupid). And that referring to a human being as disposable — because they don’t hail from the proper background — depicts who exactly is the human garbage here.

“Signal” (시그널)

“Signal” makes you ponder the consequences of altering life. Is it fate for a person to die at a certain time, no matter how horrific that death might be? And knowing that saving someone’s life in the past could create catastrophic results in the future, would you still take that chance?