“Shooting Stars” (별똥별)
I enjoyed “Shooting Stars” for what it is: a cute romance with two incredibly attractive lead actors. But I also acknowledge that there are some problematic moments that mar parts of the series for me.
Journalist, Author & Syndicated Columnist
I enjoyed “Shooting Stars” for what it is: a cute romance with two incredibly attractive lead actors. But I also acknowledge that there are some problematic moments that mar parts of the series for me.
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At first glance, “Our Blues” appears to be about a somewhat eccentric community of folks in Jeju-do — South Korea’s largest island. And it is. But it’s also about so much more. Over the course of 20 episodes, the series weaves together the complex stories of more than a dozen characters, creating a larger picture of love, forgiveness, and what it means to truly look out for one another.
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Here’s where to start on your K-drama journey — including the one romance everyone seems to be talking about.
“Military Prosecutor Doberman” explores some of the same themes as last year’s superior “D.P.” — but with more fight scenes, comedy and shirtlessness, courtesy of the series star Ahn Bo-hyun (“Itaewon Class”). It also stars Jo Bo-ah as his kickass colleague who’s as full as vengeance as he is.
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In this review, writer Jae-Ha Kim unpacks the Apple TV+ series Pachinko, its faithfulness to the book by Min Jin Lee, and why unnecessary plot changes can serve an adverse purpose.
The burgeoning romance in “Twenty-Five Twenty-One” is based on a strong friendship. But some viewers have pointed out that the story would’ve been more effective if the female lead character hadn’t been underage when they met.
“Hello, Me!” is about Ha-Ni, a high school beauty who seemed destined for success. Instead, she grows up to become a mouse-of-a woman who has lost her drive, popularity and — seemingly most importantly — her looks. Through some miraculous force, 16-year-old Ha-Ni appears in modern day Ha-Ni’s life, causing confusion for everyone concerned.
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There’s a lot to unpack underneath the surface of Netflix’s hit zombie thriller. Here are six examples of how “All of Us Are Dead” utilizes the zombie genre to reflect on societal issues that are reflected around the world, with a focus on some issues unique to South Korea.
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During this pandemic when most of us can’t travel and are stuck at home, we can live vicariously through the delicious adventures of Rain and Noh Hong-chul in “The Hungry and the Hairy.”