The Best K-dramas on Netflix
Here’s where to start on your K-drama journey — including the one romance everyone seems to be talking about.
Category: Reviews
“Military Prosecutor Doberman” (군검사 도베르만)
“Military Prosecutor Doberman” explores some of the same themes as last year’s superior “D.P.” — but with more fight scenes, comedy and shirtlessness, courtesy of the series star Ahn Bo-hyun (“Itaewon Class”). It also stars Jo Bo-ah as his kickass colleague who’s as full as vengeance as he is.
“Thirty-Nine” (서른, 아홉)
“Thirty-nine” is a reminder that while we’ve all made mistakes in our lives, we can’t continue to punish ourselves forever. Life is short. There is no guarantee of a tomorrow. Be honest and live your best life.
“Pachinko”
In this review, writer Jae-Ha Kim unpacks the Apple TV+ series Pachinko, its faithfulness to the book by Min Jin Lee, and why unnecessary plot changes can serve an adverse purpose.
“Twenty-Five Twenty-One” (스물다섯 스물하나)
The burgeoning romance in “Twenty-Five Twenty-One” is based on a strong friendship. But some viewers have pointed out that the story would’ve been more effective if the female lead character hadn’t been underage when they met.
“Hello, Me!” (안녕? 나야!)
“Hello, Me!” is about Ha-Ni, a high school beauty who seemed destined for success. Instead, she grows up to become a mouse-of-a woman who has lost her drive, popularity and — seemingly most importantly — her looks. Through some miraculous force, 16-year-old Ha-Ni appears in modern day Ha-Ni’s life, causing confusion for everyone concerned.
“The King: Eternal Monarch” (더 킹: 영원의 군주)
“The King: Eternal Monarch” was Lee Min-Ho’s comeback drama after finishing his mandatory military service in 2019. Beautifully shot and well acted by the lead actors, the series nonetheless is a bit of a hot mess when it comes to the meandering plot.
“Uncle” (엉클)
“Uncle” is a sweet, if at times silly, series about a family that struggles to stay together. This K-drama essentially is about how familial love may be rooted in genetics. But there’s work to be done to truly be a family.
“Juvenile Justice” (소년 심판)
There has been much debate in South Korea about how to punish and rehabilitate underage criminals. “Juvenile Justice” deals with these issues in a taut manner, using the law to mete out judicial revenge.
“Mouse” (마우스)
If there was a test that determined whether your unborn child carried a psychopath gene, would you trust it enough to terminate your pregnancy? Or would you believe that regardless of your child’s genetic makeup, you could raise him to be a good person who wouldn’t grow up to be a killer? Would you trust nurture or nature?
“Juror 8” (배심원들)
In 2008, South Korea held its first ever trial by jury in Dageu. In that trial, jurors deliberated for two hours before deciding that the 27-year-old man accused of robbing and assaulting a 70-year-old woman in her home was guilty. “Juror 8” is not a fictionalized version of those events. Rather, it’s a story about a man who plead guilty to murdering his mother and the first Korean jury that will determine his sentence.
“Hard Hit” (발신제한)
Seung-Gyu is an upper middle class bank manager who’s driving his children to school. While the kids bicker in the backseat, he answers a phone he doesn’t recognize. At first, he assumes it’s his wife’s phone and that the caller is trolling. But when the calls don’t stop, he worries about the what ifs. What if the caller isn’t lying? What if a bomb really will explode if he gets out of his car? What if?
The Epik Highs and Lows of Tablo
Had Tablo not experienced the alienation and toxicity of TaJinYo, Tablo’s music – and therefore Epik High’s, too – most likely would not have resulted in “Epik High Is Here 下 (Part 2).” From all those lies, truth survived.
How “All of Us Are Dead” Uses a Zombie Attack to Examine Korean & Global Issues
There’s a lot to unpack underneath the surface of Netflix’s hit zombie thriller. Here are six examples of how “All of Us Are Dead” utilizes the zombie genre to reflect on societal issues that are reflected around the world, with a focus on some issues unique to South Korea.
“The Hymn of Death” (사의 찬미)
“The Hymn of Death” is a bittersweet three-hour mini-series that tells the real-life story of Yum Sim-Deok — Joseon’s first soprano — and Kim Yoo-Jin, a renowned writer and playwright. Set during the period when Korea was under Japanese rule, the tragic story is familiar to many Koreans.
“The Hungry and the Hairy” (먹보와 털보)
During this pandemic when most of us can’t travel and are stuck at home, we can live vicariously through the delicious adventures of Rain and Noh Hong-chul in “The Hungry and the Hairy.”
“Silenced” (도가니)
Based on Gong Ji-young’s 2009 novel, “Silenced” is a brutal look at the systematic torture of children at a facility for the hearing impaired. Though Gong’s book is fictional, the stories she tells are based on the decades of real-life abuse that handicapped students endured at the Gwangju Inhwa School for the Deaf.
“Cheese in the Trap: The Movie” (치즈 인 더 트랩)
Based on the 2016 K-drama, “Cheese in the Trap” — which was based on the webtoon of the same name — this film adaptation is a good primer, but it’s lacking in telling the characters’ full stories.
“The Way Home” (집으로)
“The Way Home” is a bittersweet film about a young Seoul boy who is forced to spend the summer with his grandmother, who lives in the countryside. It’s not a quaint rural area that rich folks like to vacation in. Rather, it’s a small village where the bus comes on a irregular schedule and an angry cow chases little children.
“Melancholia” (멜랑꼴리아)
“Melancholia” is a nuanced series that depicts how a math teacher (Im Soo-jung) encourages her morose student (Lee Do-hyun) to live up to the potential he had as a child genius.