Journalist, Author & Syndicated Columnist
Korean dramas are famous for asking viewers to believe that women — often the tiniest, daintiest actresses you could find — are going to be mistaken for men. But when they do it right, they do it so well.The best example I can think of is the gateway drama, “Coffee Prince,” starring Gong Yoo and Yoon Eun-Hye.
Since it’s 2010 premiere in South Korea, “Running Man” has been a weekly favorite. Though the ratings aren’t as high as it was during its heyday, the show still has a strong following of Korean and international fans. It also survived the departures of original cast members Song Joong-Ki and Gary. Though it’s difficult to narrow it down to just a few favorites, here are 5 episodes that I enjoyed very much!
It hasn’t even been a month since Lee Jong-Suk enrolled for his mandatory military duty on March 8. But there’s a ton of us fans who miss him already. Am I right? (That’s a rhetorical question, by the way.)
I finished watching the final episode of “Kill Me, Heal Me” early this morning, and I am left with a sense of melancholy — not because the ending was unhappy (it wasn’t), but because the series was so good I wanted to see more. This K-Drama unravels at a languid pace. As each new backstory is revealed, it felt like a jolt to my heart.
K-Dramas tackle topics not often talked about in everyday conversation. By doing so, they bring some important subject matters, like adoption, to the forefront.
I could go on and on about the romance elements. But because I knew the lead character would be fine regardless of who she chose — and that the men would be OK as well — I was more fascinated by the dynamics at the workplace and how difficult it can be for women to juggle being a mom with having a job outside of the home.
When Big Hit Entertainment announced that it was launching a new boy band, the internet went wild digging for more information. Why? Because Big Hit is home to the world’s most famous boy band — BTS — and everyone wanted to know who TXT was.
Quick! Off the top of your head, which K-Dramas have been talked about the most in recent years? If you said “Sky Castle,” “Reply 1988,” “Guardian: The Lonely and Great God,” “Mr. Sunshine” and “100 Days My Prince,” you would be correct. And something they all have in common is that they aired on Korea’s cable television.
“Angry Mom” brings up the question of whether it’s OK to be a bully, if you are standing up for the rights of the weak.
As every K-Drama aficionado is well aware, the second lead syndrome — where two men are vying for one woman’s attention — is an integral part of just about every Korean series ever made. And though we may roll our eyes at yet another one, it’s also fact that it’s something we love (and sometimes love to hate).
A serialized remake of the 2012 film “Masquerade” (광해: 왕이 된 남자), “The Crowned Clown” stars Yeo Jin-goo as young, immoral king Yi Heon, whose crown is constantly under threat. Drugged out on opium (initially unknowingly, and later willingly), he eagerly agrees to allow a lookalike jester, Ha Seon, to impersonate him until things are under control. In other words, let the clown be assassinated in his place.
We all know that in a perfect world, everyone would be equal. But in the real world, we’re still working towards that goal. This got me thinking about some K-Dramas that featured strong women who were trying to assert their independence. Did they succeed? Sometimes, with different degrees of success. But the important thing is that these characters didn’t give up.
It’s a fact of life that all able-bodied South Korean men have to fulfill their mandatory military duties for their country. Top stars aren’t exempt from this, either. Due to a severe injury he suffered during his teenage years, Lee will be enlisting as a public service worker — rather than active duty — according to his A-MAN Project. As actor Lee Jong-Suk gets ready to begin his 22-month enrollment on Friday, March 8, let’s take a look at his life … and some of his most iconic work.
Recognizing these cultural differences and relating to even the most unrelatable stories are all part of what makes watching Korean dramas so satisfying. Where else can you experience second lead syndrome (where you’re actually rooting for the other guy to get the girl and not the main guy), eat instant ramen along with the characters, and learn a few foreign words in the process? Daebak! Read more in my article for MTV News.
“My ID is Gangnam Beauty” specifically tackles South Korea’s obsession with physical looks, but the storyline carries over to many cultures, where the standards of beautiful — especially for girls and women — is unrealistic.
I am a complete sucker for shows that stress the importance of childhood relationships — the kind that last from adolescence through adulthood. And K-Dramas are chock full of them.
There’s no doubt that actors and actresses in their 20s are wildly popular with K-Drama viewers. And as with actors worldwide, some will be offered less substantial roles as they age. But then you have Hyun Bin and So Ji-Sub, who have not only maintained their popularity, but thrived in a highly competitive market filled with young models and idols.
Just because you look good strutting down a runway doesn’t mean you have what it takes to be a good actor. But K-Dramas are full of models who have successfully navigated their way from the catwalk into television and films. Here’s a look at some of my favorites who made the transition look effortless.
One of the things that has impressed me about K-Pop’s idol system is that it has developed some truly talented actors. They remind me of performers during the Golden Age of Hollywood, when entertainers were trained to sing, dance and act. Two highly-acclaimed K-Dramas — “SKY Castle” and “Memories of the Alhambra” — featured young K-Pop stars in strong co-starring roles. In the former, SF9’s Chani (né Kang Chan-Hee) put in a stellar performance as a high school student framed for murder. In the latter, EXO’s Chanyeol (né Park Chan-Yeol) played a terrified teenage game developer.
Four years after “The King Of Mask Singer” premiered on MBC in South Korea, “The Masked Singer” made its U.S. debut on FOX. The American remake — in all its gaudy splendor — is a bonafide hit.