“Love in Contract” (월수금화목토)

Sang-eun (Park Min-young) is a stunning young woman who has carved out a niche for herself marrying men. Nope, she’s not a gold digger. Her relationships with her clients are platonic and are based on a meticulously-worded love contract. Well educated and discreet, she is the perfect girlfriend/bride for men who need a well-heeled partner to show off.

South Korea’s Criteria for Military Exemption is Outdated

BTS’ Kim Seok-jin announced today that he is preparing to enlist in the Korean military, which is required of all able-bodied Korean males. There are exceptions for athletes, classical musicians, and some academics. So why didn’t the Korean government exempt BTS, whose global achievements are unparalleled?

“Big Mouth” (빅마우스)

The “Big Mouth” cast is perfect, especially the lead actors Lee Jong-suk (as a lawyer on a losing streak) and Girls’ Generation’s Im Yoon-ah as his pragmatic wife (who’s a skilled nurse). There was not a moment where I didn’t believe that this couple was besotted with each other. Even when they argued, it was obvious that they cared so very much about each other.

“One Ordinary Day” (어느 날)

As Hyun-soo, Kim Soo-hyun is superb in a difficult role where he has to be sympathetic, but also could be a cold-blooded and manipulative killer. His role requires him to cry in a manner that allows viewers to feel his panic and fears. And Kim comes through again superbly, proving he is one of the best actors of his generation.

“Narco-Saints” (수리남)

Two Korean men move to Suriname in the hopes of making some fast money. Their goal is to buy skate, which Surinamese don’t want, for pennies and resell them in South Korea at an inflated price. But when cocaine is found in one of their shipments, both men are arrested and jailed.

“My Liberation Notes” (나의 해방일지)

“My Liberation Notes” is very beautifully executed in presenting a slice of life that doesn’t offer a fairy-tale ending … or offer finite solutions to ease the characters’ lives. But what this K-drama does do is allow for growth. Who the characters are at the start of the series is not who they are by the finale, and that’s a good thing.

“Thirty-Nine” (서른, 아홉)

“Thirty-nine” is a reminder that while we’ve all made mistakes in our lives, we can’t continue to punish ourselves forever. Life is short. There is no guarantee of a tomorrow. Be honest and live your best life.

“Twenty-Five Twenty-One” (스물다섯 스물하나)

The burgeoning romance in “Twenty-Five Twenty-One” is based on a strong friendship. But some viewers have pointed out that the story would’ve been more effective if the female lead character hadn’t been underage when they met.

“The King: Eternal Monarch” (더 킹: 영원의 군주)

“The King: Eternal Monarch” was Lee Min-Ho’s comeback drama after finishing his mandatory military service in 2019. Beautifully shot and well acted by the lead actors, the series nonetheless is a bit of a hot mess when it comes to the meandering plot.

“The Hymn of Death” (사의 찬미)

“The Hymn of Death” is a bittersweet three-hour mini-series that tells the real-life story of Yum Sim-Deok — Joseon’s first soprano — and Kim Yoo-Jin, a renowned writer and playwright. Set during the period when Korea was under Japanese rule, the tragic story is familiar to many Koreans. 

“Silenced” (도가니)

Based on Gong Ji-young’s 2009 novel, “Silenced” is a brutal look at the systematic torture of children at a facility for the hearing impaired. Though Gong’s book is fictional, the stories she tells are based on the decades of real-life abuse that handicapped students endured at the Gwangju Inhwa School for the Deaf.

“The Way Home” (집으로)

“The Way Home” is a bittersweet film about a young Seoul boy who is forced to spend the summer with his grandmother, who lives in the countryside. It’s not a quaint rural area that rich folks like to vacation in. Rather, it’s a small village where the bus comes on a irregular schedule and an angry cow chases little children.