Journalist, Author & Syndicated Columnist
Ever since Ji Chang-Wook’s discharge from South Korea’s mandatory military duty on April 27, 2019, fans have been biting their fingernails waiting for his comeback. They won’t have to wait much longer, because the popular actor’s latest series, “Melting Me Softly,” will premiere on South Korean television on September 28.
Just days after they ended their brief vacation, BTS is back at it. Early Wednesday morning, the Korean pop group’s management company — Big Hit Entertainment — simply tweeted: “#BTS TikTok Channel Open!” That was all it took for ARMY (BTS’ loyal fans) to follow suit.
“Someone said seeing BTS was like seeing a unicorn,” RM says in this fifth episode of “Bring the Soul.” “When you think about it, no matter what’s happening behind the stage, just showing our faces is a remarkable experience for some people.” In other words, the group is well aware that there are fans all over the world who will never get the chance to attend a BTS concert. They know that the ones who did manage to snare a ticket often had to go through a Hunger Games-like ordeal to purchase it. For that reason, the group strives to be perfect, to give each show 110% and to perform through their injuries when possible, even when they’re advised not to.
Amanda Deibert remembers the family vacations she took as a child with fond memories. “When I was a little girl, we only had one vacation,” says the television and comic book writer (“Wonder Woman ‘77,” “DC Super Hero Girls,” “Teen Titans Go!”). “It was road trips from Florida to North Carolina to visit my grandparents. I loved stopping at all the weird roadside attractions.”
“My Ahjussi” is a satisfying K-Drama focusing on Dong-Hoon, a mid-level engineer who lives a mundane life. He works hard, hangs out with his brothers every evening and goes home to a house where his wife is rarely there. And if she is, she holes away in her home office and ignores him. It can’t be a coincidence that the set designer chose an apartment complex that looks more like a prison than a home for their residence.
Do you ever watch a K-Drama (or any series, for that matter) where the character is supposed to be a high school student and the actor playing the part looks at least a decade older? (I’m looking at you, “Beverly Hills, 90210”!) Due to labor laws in which underage actors can’t work hours as long as adults, it’s understandable why showrunners would want older artists working on their set. But it’s also an interesting twist when younger actors and actresses play characters who are more mature.
There have been countless think pieces on who will be the next BTS or how someone could create the next BTS. This is an irrational concept, because what they essentially are saying is, “How do we conjure up another group that gets this much press and makes this much money?” If money was all BTS was after, they could retire now and be set for life. But what drives them is the relationship they have with each other and their knowledge of the influence they have on others, which can be channeled into a greater good.
“The worst vacation memory was when my wife and I were flying home from Australia and were suddenly forced to land in Hawaii because 9/11 had just happened,” says “Descendants 3” actor Dan Payne. “The pilot didn’t explain much except that the plane was in perfect working order, however, there was an FAA closure of all U.S. airspace. We spent four days there trying to figure out what had just happened to the world before we could go home.”
“Search: WWW” is the only K-Drama I can think of where women had the kind of lead roles that ordinarily would’ve gone to men. The female characters not only were the rainmakers where they worked, they were the decision makers who the men followed.
More so than any episode from last year’s “Burn the Stage” (or the first episode of this series), viewers can see how lonely life on the road can be. The seven-man group may smile on stage and charm their interviewers with witty quips and soundbites. But touring can wear them down, even when they know they are in a privileged position that many are envious of.
In the first episode of BTS’ latest docuseries “Bring the Soul,” the group’s leader RM discusses how they fit into their role as superstars. “There are things I can change and things I can’t,” he says. “But I’m doing well now the way that I am.”
“One More Time” was Kim Myung-Soo’s first lead role. Best known to K-Pop fans as L from the group Infinite, he certainly had the look of a singer-songwriter-guitarist down pat. With a better script and direction, he could’ve really done something with this part. But as it was, Tan was an unsympathetic character who was old enough to be responsible, but too immature to give up his rock ‘n roll lifestyle to pay off his considerable debts.
It’s always fun to see Korean groups like BTS, Blackpink and Day6 being interviewed on American talk shows. But it’s also eye-opening to see international acts having fun on South Korean programs, whether it’s Tom Cruise appearing on “Running Man” or NBA star Stephen Curry on “Infinite Challenge.” But one of the most charming segments I’ve seen in a long time is 5 Seconds of Summer’s guest appearance on “YO~! WELCOME TO KOREA!”
“Our concert schedule takes us to so many places and we always arrive ready to explore,” says 123 Andrés. “Recently we performed in Lake Jackson, which is south of Houston. We had never heard of this city before, but we ended up having a lot of fun. This is one reason we love being performers — we get to arrive to a new city or town with no plans and get tips from the families who live there. No city, town or neighborhood should be written off as boring or a dump. Every place has something to show us, if you are willing and open to seeing it.”
In Korean culture, Chuseok is a major holiday that’s equivalent to Thanksgiving. And SBS gave viewers a gift by airing the “BTS Variety Chronicles” — a collection of hand-picked segments from the group’s various variety show appearances on the network. That inspired us to curate our own best of picks, but we’re not going to limit it to just SBS shows or funny moments. Here are some of our favorite BTS appearances. What’s yours?
As a young woman passes by two men, an app on her phone goes off. “There is one person who loves you,” it says. The app is called JoAlarm (좋알람), which alerts users if there is someone within 10 meters who loves them. If you’re thinking that JoAlarm sounds nonsensical, you’re right — in English, it doesn’t make sense. But in Korean, it literally means an alarm to measure if someone likes your. (Remember that Jay Park song, “Joah”/”좋아”? 좋아 means good or to like. Now it makes perfect sense, right?)
Hotel del Luna is a gorgeous five-star hotel that only accepts dead souls, before they move onto heaven or hell. Yeo plays a Harvard-educated hotelier who is forced to work at the eponymous establishment, due to an agreement his father had made years ago. His boss is the otherworldly Mal-Wol, who has run Hotel del Luna for the past 1,300 years. She is neither dead or alive, but can’t peacefully enter the afterlife until she has settled her personal business on earth. Though the pair’s relationship starts off contentiously, they slowly fall in love and feel they are tied together by a force that can’t be explained.
“I’ve been to Montego Bay several times and absolutely love it there,” says “Ambitions” actress Mara Hall. “The culture, the food, the people — it is such an amazing place. Visit White House. They sell fresh fried fish and bammy (cassava flatbread). It’s absolutely delicious!”
Breaking up is never easy. But for celebrities, they have the additional burden of having their private lives exposed in public. Unlike Song Hye-Kyo and Song Joong-Ki — who in June quietly announced their plans to divorce — Ku Hye-Sun and Ahn Jae-Hyun are having a more contentious dissolution of marriage, thanks to a series of social media posts in which Ku claims she doesn’t want a divorce. Ahn responded by saying that what his wife acknowledged publicly doesn’t align with her actions.
At its core, “Absolute Boyfriend” isn’t about whether the female lead would choose a robot over a human being. Rather, it’s about longing for the robot’s human traits that are lacking in too many people today.