Journalist, Author & Syndicated Columnist
Based on the French series “Call My Agent,” this K-drama actually reminds me more of the U.S. show “Entourage,” but from the viewpoint of combative entertainment agents. “Behind Every Star” focuses on a team of elite agents whose clients include top stars who need to have their egos stroked on a regular basis
The 79 Best K-Pop Songs of 2022, according to 79 journalists and pop culture writers … including me! My pick of the year? Jin’s “The Astronaut,” which preceded the BTS member’s military enlistment on Tuesday (December 13).
In the superb “Return to Seoul” – which is Cambodia’s Oscar entry for the Best International Film category – French Cambodian filmmaker Davy Chou (“Golden Slumbers”) takes a look at what it means to be an adoptee who unexpectedly is reunited with her birth parents.
“Under the Queen’s Umbrella” is my top pick of 2022. If you’re looking for a fantastic series to watch, this sageuk/사극 (or historical drama) is difficult to beat. Kim Hye-soo is magnificent as a queen whose sons’ lives (and her own) are in danger if the Crown Prince dies. She is whip smart and almost always one step ahead of her enemies, who want to destroy her family to elevate their own.
The best K-dramas of 2022 were bookended by a pair of brutal teen-centric dramas that premiered at the beginning of the year (“All of Us Are Dead”) and the end (“Weak Hero Class One”). They frame a year of superb Korean dramas, so many that it was difficult to narrow it down to just 11 top picks.
Television reviews, K-Dramas and more! Click on the photo or the title to read my reviews. Enjoy!
If you could change places with a wealthy acquaintance, with the condition that you have to give your family to do so, would you? That’s the moral question behind “The Golden Spoon,” which stars BtoB’s Yook Sung-jae (“Goblin,” “Mystic Pop-up Bar”).
At their Chicago concert, ATEEZ had mentioned that they’ve now experienced the first snowfall of this tour. In South Korea, there is a romantic notion that who you spend the first snowfall with is someone who will remain in your future. It feels right that for ATEEZ, this snowfall landed on a day they spent with their fans. My exclusive interview for Rolling Stone.
Sang-eun (Park Min-young) is a stunning young woman who has carved out a niche for herself marrying men. Nope, she’s not a gold digger. Her relationships with her clients are platonic and are based on a meticulously-worded love contract. Well educated and discreet, she is the perfect girlfriend/bride for men who need a well-heeled partner to show off.
“The Law Cafe” is a cute K-drama centering on a couple that has always been in love with each other, but doesn’t realize it. Or, rather, is unwilling to acknowledge it. Jeong-ho is a former prosecutor who quit his job after a scandal was covered up. Yu-ri is his fearless childhood friend — also an attorney — whose passion lies in helping powerless people get justice.
“The Dude In Me” is a 2019 Korean fantasy film that centers on a high-ranking gangster and a high school student. When the latter accidentally falls from his school roof, he lands on the mobster. While neither dies, the mishap somehow switches the pair’s bodies and minds. Now, wiseguy Pan-soo is trapped in the body of chubby and bullied teenager Dong-hyun, while Dong-hyun is stuck in Pan-soo’s comatose body.
“When My Love Blooms” started off so strong and promising that I had high hopes for this years. You usually can’t go wrong with Yoo Ji-tae and Lee Bo-young in the lead roles. But while the actors did a great job of embodying their complicated roles, I ended up not appreciating either character very much.
“Little Women” is a female-led K-drama that’s a loose adaptation of Louisa May Alcott’s novel of the same name. And I mean really loose. The central characters share some of the personality traits as the book’s sisters. And a primary theme in both revolves around the class distinctions between the wealthy and the poor. But this Korean version has its own tale to tell. The show doesn’t vilify the rich so much as it presents scenarios where good people are tempted to commit a crime, because they have nothing left to lose.
The “Big Mouth” cast is perfect, especially the lead actors Lee Jong-suk (as a lawyer on a losing streak) and Girls’ Generation’s Im Yoon-ah as his pragmatic wife (who’s a skilled nurse). There was not a moment where I didn’t believe that this couple was besotted with each other. Even when they argued, it was obvious that they cared so very much about each other.
As Hyun-soo, Kim Soo-hyun is superb in a difficult role where he has to be sympathetic, but also could be a cold-blooded and manipulative killer. His role requires him to cry in a manner that allows viewers to feel his panic and fears. And Kim comes through again superbly, proving he is one of the best actors of his generation.
For many Westerners, Korean cinema didn’t enter their consciousness until the unparalleled success of the film “Parasite: in 2019. The gripping film deals with socio-economic discrepancies specific to modern-day South Korea, but the clever and sometimes brutal storyline hit a nerve with filmgoers worldwide. The film won the Palme d’Or at the Cannes Film Festival, an Oscar for Best Picture at the Academy Awards, and a BAFTA for Best Film Not in the English Language at the British Academy of Film and Television Arts.
Two Korean men move to Suriname in the hopes of making some fast money. Their goal is to buy skate, which Surinamese don’t want, for pennies and resell them in South Korea at an inflated price. But when cocaine is found in one of their shipments, both men are arrested and jailed.
This second season of “Hello, My Twenties!” is entertaining, but suffers a bit from too-much-going-on syndrome, as well as the recasting of a central character.
“Seoul Vibe” is full of backstabbing, murder and mayhem. Director Moon Hyun-sung does a commendable job at keeping the plot moving, but he knows that the wild car chases are the key to this movie.
