Sound tracking

Movie soundtracks have become music to record companies’ ears. Once studios discovered that popular music from such artists as Simon and Garfunkel and the BeeGees could help sell a film, the lush orchestral scores that were the high-water mark of the ’50s all but disappeared. These days, soundtracks have become far more than promotional tools for hyping a movie. They are thriving independently of the films that spawn them to become a force on the album charts – with some even outliving their big screen brethren.

“Dead Man On Campus” is `Dead’ on arrival

There was one scene in “Dead Man on Campus” that elicited a really good laugh. But I’m not sure whether it truly was funny, or if I was just so bored that it seemed funny at the time. The premise of the “comedy”: A couple of irresponsible college freshmen slack off all semester and freak out when they realize they are about to flunk out of school. So instead of hitting the books and getting tutors, they do what all 18-year-olds do in that situation: They try to find a suicidal third roommate.

It’s Gallo’s time: `Buffalo’ ride got bumpy for director

Vincent Gallo wrote, directed and starred in “Buffalo ’66.” But ask him which of his talents he’s proudest of and Gallo will answer, “Well, I’ve acted in 18 movies, but I would never call myself an actor. I’m not Steve McQueen. More than anything else, I’m probably best as a stylist.” This is the enfant terrible described by some as a “loose cannon”? “I am a bit vindictive and unforgiving to people who behave inappropriately against me,” Gallo said softly in an interview from his Los Angeles home. “But I’m not really mean to anybody.”

Backstreet Boys at New World Music Theatre

Here are a few factoids I picked up at the Backstreet Boys concert Saturday night at the New World Music Theatre in Tinley Park: Nick Carter, the youngest (18), tallest (6-foot-1) and blondest of the five Boys, is the most popular. The Backstreet Boys say “Wassup?!” a lot. They are the male equivalent of the Spice Girls: young, good-looking and blandly appealing as singers.

The Verve

Richard Ashcroft had his work cut out for him when the Verve kicked off their American tour in Chicago. Instead of performing at the 13,400-capacity Rosemont Horizon as originally planned, poor ticket sales forced the Englishmen to move the show to the Aragon Ballroom, a venue one-third the Horizon’s size. Then, too, the quintet performed minus lead guitarist Nick McCabe, who had announced earlier this month that he would not go on the road with his bandmates.

Buffy, fans fall for David Boreanaz as fallen Angel

Outside Wrigley Field, surrounded by thousands of other Cubs fans, David Boreanaz hit the ground and bowed. “I’m not worthy,” he said, half-jokingly. “I’m totally in awe. I’m mesmerized right now.” The same could be said for the gaggle of teenagers nudging each other, asking, “Hey, isn’t that Angel?”

“Everest” sees past `because it’s there’

After 12 hours of climbing, I had to force myself to concentrate,” says Jamling Norgay, a climbing leader in the latest Omnimax documentary “Everest.” “As the pain gets worse, I feel worse than I’ve ever felt . . . without passing over to the other side. But up here in the clouds, I touched my father’s soul.”

Jay Leno: ‘Celebrity-starved’ Chicago nice place for shows to visit

Last week, the “Late Show” flew 461 Chicagoans to New York to watch a taping of David Letterman’s CBS talk show. And next week, Jay Leno brings his “Tonight Show” to the Rosemont Theatre for a week. The trip is a repeat performance for Leno, who brought his act here in 1996. Letterman broadcast his show from the Chicago Theatre for a week in 1989 and did a one-night stand two years ago at the Steppenwolf Theatre.

“A Cab Called Reliable” by Patti Kim

Patti Kim shows the eloquent anguish of an abandoned child in her debut novel, A Cab Called Reliable (St. Martin’s, 156 pp., $18.95 . Her story is told through the eyes of 9-year-old Ahn Joo Cho, a Korean immigrant whose life changes forever when she sees her mother and little brother drive off in a cab. Without her. The last thing she remembers seeing is the word “reliable” on the car door.

Eric Clapton at United Center

Subscribing to the theory that more is more, Eric Clapton kicked off the first of two sold-out concerts at Chicago’s United Center with a 20-piece orchestra, six-piece band and three backup singers. But in the end, the best moments of his uneven show occurred when Clapton and his band, who will perform May 27 at the Forum, cut loose on some blue-eyed soul.

James Iha at Metro

Covering a little known Eric Anderson number near the end of his 50-minute solo set, Smashing Pumpkins guitarist James Iha sang, “I’d love to sing my ballad/But they only wanna hear me rock ‘n’ roll.” Not after this show. The shy musician’s ballad-heavy solo debut was a stunner. And the intimate Top Note Theatre–a part of Metro, the club that gave the Pumpkins their first big break–was the perfect setting for Iha’s laid-back performance in front of a hometown crowd that included Pumpkins’ bassist D’Arcy, members of the Frogs and his parents.

Steve Poltz at the Uncommon Ground

Sitting on a stool – but looking as if he’d be happier hopping around – Steve Poltz accompanied himself on guitar and played homespun acoustic rock songs from his week-old solo album, “One Left Shoe.” He padded his two-hour set – which is brief by Poltz standards – covering cuts by TLC’s “Waterfalls,” Prince’s “Little Red Corvette” and Jewel’s “You Were Meant for Me.” Poltz, who still is in the Rugburns, included some of his group’s material as well.