African, Hollywood cinema battle in `Plot’
Halfway through the satirical film “Aristotle’s Plot,” the narrator asks, “Why are African filmmakers always asked political questions?”
Journalist, Author & Syndicated Columnist
Halfway through the satirical film “Aristotle’s Plot,” the narrator asks, “Why are African filmmakers always asked political questions?”
It used to be that competitive skaters turned to ice shows after they won their medals and wanted to lay off the training. Not any more. With shows like “Stars on Ice,” which glided into town Saturday night at the Rosemont Horizon, many professional figure skaters are in the same physical condition today as when they trained for the Olympics and the World Championships. The two-hour show included something for everyone. American ice princess Kristi Yamaguchi vamped to Elvis’ “Trouble,” executing flawless jumps, while fellow Olympic gold medalist Scott Hamilton skated all the roles in a whimsical salute to the “Wizard of Oz.”
With narration by Patrick Stewart and a theme score by new age musician Yanni, you’d think that “Whales” would be smooth sailing. But the Omnimax film, which opens today at the Museum of Science and Industry, is a visual drag that lasts for 40 very long minutes.
The best reason to subscribe to cable television is “La Femme Nikita.” Well-written, suspenseful and sexy, the superb drama kicks off its second season Sunday on the USA Network with an engrossing episode that reveals a turning point in the title character’s life. Based on the 1991 Luc Besson film of the same name, “La Femme Nikita” focuses on a beautiful, young woman sentenced to prison for a crime she didn’t commit.
If the tenants at “Melrose Place” decided to become entertainers, their lives would pretty much resemble the ones on “Fame L.A.” Loosely based on the 1980 film “Fame,” this syndicated series revolves around a group of young actors, singers, dancers and comics – all hoping to make names for themselves in Hollywood. The repeat airing Saturday is the second show of the series’ three-part opener, first seen in September.
There isn’t much that hasn’t happened to the orphaned siblings on “Party of Five.” Death, infidelity, drug abuse, teen pregnancy, mental illness and alcoholism all have been dealt with responsibly on the Fox drama. On tonight’s episode, from 8 to 9 on Channel 32, the family faces another blow when eldest brother Charlie Salinger reveals that he has Hodgkin’s disease.
Goldie and Bush’s Gavin Rossdale are an unlikely combination. But the trip-hop God is among a handful of artists who remix the band on Deconstructed. Phillip Steir’s ”Synapse” oozes breathy seduction, while Fabio Paris’ pulsating ”Personal Holloway” induces dancing, rather than moshing. It’s Goldie’s fussy ”Swallowed” that’s a clunker.
Novelist Judith Rossner admits that her characters’ antics often get so violent that they frighten her out of her own house. “The violence and the plots I come up with sometimes scare me,” Rossner said.
Dismiss the ruminations about this being the Rolling Stones’ “401K” tour and faggadabout the Geritol jokes. The Stones may be the grandfathers of rock ‘n’ roll, but they also are consumate professionals who can still teach the youngsters a thing or two about how to put on a good stadium show.
With her first book The Spirit Catches You and You Fall Down, Anne Fadiman poignantly documents the head-on culture clash between a family of Hmong refugees from Laos and the American physicians who treat their infant child. Each party wants whats best for the child. But neither is ready to acknowledge that whats foreign to them may be the best treatment for little Lia Lee.
You’d think that having just released the fastest-selling album in British history might have mellowed Oasis’ infamously prickly leader, guitarist Noel Gallagher, just a little. But even though Be Here Now is setting records and debuted in the U.S. last week at No. 2, the elder Gallagher (brother Liam is the band’s lead singer) is as irascible as ever.
Shot over a nine-month period in Leichhardt, Australia, the documentary “Rats in the Rank” follows the absurd antics of 12 council members maneuvering to get their mayoral candidates elected to office.
Baring his soul with bold lyrics and plaintive vocals, singer-songwriter Peter Stuart has come up with a strong follow-up to his band’s debut. His protagonists suffer from heartache, but Stuart doesn’t wallow in misery. Like Matthew Sweet, he has a knack for marrying bittersweet words with pop melodies to create evocative vignettes. Grade: B+
The three-dimensional technology is nothing short of amazing. Forget those throwaway 3-D glasses of the past that did nothing but give you a headache. When you strap these high-tech 3-D glasses on (they perch on your head like a visor), you are transported deep into the action. (FYI: Without the headgear, the film is, in a word, blurry.)
It was a sad day for Anglophiles when John Squire left the Stone Roses. Without their lead guitarist and primary songwriter, the Roses withered away a few months after Squire quit last year. But he didn’t waste any time crying over what could have been. Instead, he put together the Seahorses, a tight rock ‘n’ roll outfit that made its Chicago debut Tuesday night at Metro.
Though U2 has been making records for almost two decades, the musicians opted to concentrate on the new rather than indulge in nostalgia. But that’s not to say that they didn’t have fun with a few oldies. While their set list included nine cuts from their current “Pop” album, one of the evening’s highlights was the Edge’s campy solo turn at singing “Sweet Caroline,” karaoke style. The guitarist appeared to be having a great time, punching his fist in the air and encouraging fans to sing louder.
The question after Soul Asylum’s gig Wednesday night at Metro wasn’t, “How were they?” but rather, “Why did they play there?” Longtime fans were treated to a solid, if unspectacular, 95-minute set from the formidable Minneapolis-based rock group. But it wasn’t that long ago that the band seemed destined for a brighter future and was sharing headlining status at outdoor festival shows.
For the first time Saturday night, James Iha and D’Arcy weren’t the center of attention. The Smashing Pumpkins musicians, acting as emcees, stood together at the mike, preparing to welcome the evening’s headliner at Metro. Before they could finish their introduction, however, the Frogs walked onstage, dressed in their typically flamboyant costumes.
It was a surreal sight Saturday at the New World Music Theatre. By 4:30 p.m. – three hours after the Revelations of Alternative Rhythms (R.O.A.R.) Festival started – there were only 150 people inside the Tinley Park enormodome. This is a venue that seats 30,000 fans. On the plus side, there were no lines for the restrooms or concessions. But the event felt more like a backyard barbecue than a big-time rock show.
If some of the teenage fans at Q101’s Jamboree 97 were a little distracted Sunday at the New World Music Theatre, it was understandable. Rather than basking in the sun at the first major outdoor concert of the summer, the kids huddled under blankets as if they were at a football game or, more often than not, shivered in their summer shorts and T-shirts. (The cruelest joke was that many had more clothes in their cars, but they weren’t allowed to leave the venue to get them.)