“Penthouse: War in Life” (펜트하우스)

“Penthouse” starts off with the most makjang storyline of the year. This deliciously gripping female-centric series revolves around rival classical singers and includes a (dun dun dun!) switched-at-birth plot twist. Did I mention that one of male characters has a torture chamber in his home, because, why not? Mixed in with the outrageous content is a parable about the haves and the have nots.

“Kairos” (카이로스)

“Kairos” starts off promising and is reminiscent of the best elements of “Signal.” But where the latter kept the suspense going until the end, “Kairos” fizzles out midway, with redundant story arcs and some characters that are not only irredeemable, but highly unlikeable. And I’m not talking just about the villains.

“Start-Up” (스타트업)

“Start-Up” has a second male lead (Kim Seon-ho) who is so charismatic that his storyline often overshadows that of the very handsome lead (Nam Joo-hyuk). Ultimately, the K-Drama reinforces the idea that no matter how broken a family is, the ties remain – for better or worse.

A.C.E Talks Exclusively to KOCOWA about K-dramas!

“(Starring in ‘Twenty-Twenty” was) a very precious and unforgettable memory,” said A.C.E’s Chan. “The role of Sohn Bo-hyun was the best fit for me and the personality was the same as myself in real life. I enjoyed every second of the shooting. I am also very happy that I could play this role with great actors, actresses and staff.”