“Be With You” (지금 만나러 갑니다)

If you could re-live a part of your life, knowing that the time you had with your loved ones would be fleeting, would you risk it? The Korean feature film “Be With You” (지금 만나러 갑니다) offers this intriguing concept. It wasn’t perfect, but it made my heart hurt … and happy.

“Healer” (힐러)

A smart, 20-episode series that was well cast, it offered intrigue, action, comedy and a bittersweet love story that ends in such a way that the viewer is left assured that the couple stays together forever. This is also one of the rare Korean dramas I’ve seen where the lead characters aren’t involved in a love triangle (though there is a sub-plot where unrequited love between secondary cast members plays a role).

“BTS: Burn the Stage”: Episode 5

I was delighted that Chicago was so beautifully prominent in this episode. Late one night back at their hotel, they’re trying to figure out how to perform on a tiny stage for their first U.S. television appearance. I used to do a little work for JBTV way back when, and I can tell you that the stage is tiny. It’s fine for most of the bands that pass through Chicago. But most bands aren’t BTS.

“BTS: Burn the Stage”: Episode 4

The argument between two members of BTS was hyped up as being a shocking revelation in the previews. But for anyone who has a sibling — or who has ever been in a serious relationship — speaking the uncomfortable truth is par for the course. Arguments often aren’t about what you’re addressing at the time, but rather all the little things that have built up to make you reach that boiling point. What was more interesting to me was watching Jin and V dig to the bottom of the real issue: respect.

“Call Me Mother” (마더)

A common element running throughout the plot is that you are not a “real” child if you don’t share your parents’ DNA. One of the central characters views herself as superior to her adopted sister, because … adoption. The emphasis on a family’s pure bloodline is still in effect today in Korea. And though more adoptive families are telling their children about their adoption stories, many still let their kids assume they are biologically related to their adoptive parents.

“BTS: Burn the Stage”: Episode 3

정 (jung) is a Korean word that is difficult to define in English. 정 encapsulates a feeling of love and loyalty that people have for one another. They will do things out of the kindness of their hearts, rather than as quid pro quo. As I watched the members of BTS drinking and laughing together, I realized that it was this 정 they had for each other that was as much of a component of their success as anything else.

“BTS: Burn the Stage”: Episodes 1 & 2

I imagine that for the members of BTS, presenting an idealized version of their real selves was par for the course. But with “Burn the Stage,” they have come to terms with who they truly are and are confident enough to show it to the public. It is difficult to explain why this first episode was so moving for me. Certainly, there is the aspect of seeing Asian Representation so beautifully presented; and in a manner that doesn’t exoticize these young men as strange creatures from a foreign land.

“Hwarang” (화랑: 더 비기닝)

“You get to decide what kind of King you are going to be.” Don’t remember that line from “Hwarang”? That’s because it’s a quote from the blockbuster film, “Black Panther.” When the newly crowned king, T’challa, worries about how he will rule over his subjects, Nakia tells him, “You cannot let your father’s actions define your life.

“Go Back Couple” (고백부부)

If you could go back to your past, would you? And, if so, what would you change? That’s the premise for “Go Back Couple,” a thoroughly-enjoyable drama filled with charismatic leads and a plot that is both funny and touching — especially for those of us who are already parents.

“Fish for Jimmy”

#SonOfJae reviews “Fish for Jimmy.” Katie Yamasaki’s beautiful book is based on her family’s real-life experiences and has been selected to be included in the newest version of McGraw-Hill Education’s anthology textbook for fourth grade students. 

“Fight for My Way” (쌈 마이웨이)

One of the things I enjoy about Korean dramas is that many tend to focus of the main characters’ childhood friendships and how that camaraderie evolves into their adulthood. Such is the case here, where four friends grow up with each other and, eventually, end up falling in and out of love with each other.

Your being white doesn’t make your adopted children white by osmosis

Not too long ago, I fell down and ripped the top layer of skin off my knee. As the wound started to heal, the scab, too, started to fall off. But enough of it was still dangling from my knee to be uncomfortable. To many people who don’t want to hear about white privilege, I am that scab. My experiences, words and I are annoying reminders that life isn’t always what you want it to be.

“Way Back Home” (집으로 가는 길)

The first Korean film to be shot in the Caribbean, “Way Back Home” was shot in a real women’s prison, with some of the actual guards and detainees serving as background characters. The filmmakers clearly believe that while Jang Mi-Jeong (the woman on whom the movie is based) may have been guilty, her crime was less egregious than the way the Ministry of Foreign Affairs handled her case.

“Boys Over Flowers” (꽃보다 남자)

I had a difficult time reconciling myself with the fact that I enjoyed “Boys Over Flowers,” while being disgusted that the showrunners never addressed how cruel the main characters were to kids outside of their circle.

“Big” (빅)

Let’s cut to the chase: the plot revolves around a high school student and a doctor who switch bodies after an accident. Yoon-Jae, the 30something doctor is in a vegetative state in the body of 17-year-old Kyung-Joon. Meanwhile, the teenager is alive and well, but he is trapped in the buff body belonging to Gong Yoo, er, I mean Yoon-Jae. Caught between these two is Gil Da-Ran, a wet dishrag of a woman, who (despite her beauty) has absolutely no confidence in herself. When she realizes that Yoon-Jae really isn’t Yoon-Jae and that it may take a while for the two to switch bodies again, she plays along with the charade.

“Goblin: The Lonely and Great God” (쓸쓸하고 찬란하신 도깨비)

There are few things in life that would be more difficult than to watch generations of loved ones grow old and die, while you live on for centuries without them. Such is the case with Kim Shin, a dokkaebi (goblin). For more than 900 years, he has been cursed to live a life of loneliness as atonement for all the enemies he killed during his days as an unbeatable general. Yes, his victims would’ve slain him if they had the opportunity. But, as God says in the narration, they were all precious creations, as well.

“The Heirs” (왕관을 쓰려는자, 그무게를 견뎌라-상속자들)

I always viewed “The Heirs” as a much-better followup to “Boys Over Flowers.” Park Shin-Hye and Lee Min-Ho share amazing chemistry as the lead couple.