“It’s Okay, That’s Love” (괜찮아, 사랑이야)

“It’s Okay, That’s Love” is sold as a wacky K-Drama about a psychiatrist and a playboy celebrity author. And the first couple episodes did little to disprove that storyline. But as it progressed, the series laid out the plot in a beautiful, languid way that was full of love and heartbreak, before culminating in the kind of glorious truth that is both liberating and intoxicating.

“Healer” (힐러)

A smart, 20-episode series that was well cast, it offered intrigue, action, comedy and a bittersweet love story that ends in such a way that the viewer is left assured that the couple stays together forever. This is also one of the rare Korean dramas I’ve seen where the lead characters aren’t involved in a love triangle (though there is a sub-plot where unrequited love between secondary cast members plays a role).

“Ode to My Father” (국제시장)

In a review that ran in the New York Times, film critic Jeannette Catsoulis gave “Ode to My Father” a big thumbs down for being “syrupy” and for having “packaged pain … likely to leave Western audiences cold.” While there is no doubt that director Yoo Je-Kyoon would’ve loved for American audiences to embrace his movie, it’s also undeniable that this film was not made with Western moviegoers in mind. It was made for Koreans.

“My Love From Another Star” (별에서 온 그대)

Sold as a romantic comedy, “My Love From Another Star” definitely delivers on that front. But it’s also a wonderful story about true love, alienation and sacrifice.

“Miss Granny” (수상한 그녀)

A huge hit in South Korea, where it was filmed, “Miss Granny” doesn’t have a unique plot. But, director Hwang Dong-hyuk deftly takes an old premise (an elderly woman finds herself magically transformed into a 20 year old) and adds some new twists and social commentary. The result? A charming comedy full of music and scenes that will tug at your heart.