Category: Reviews

Jonathon Brandmeier conquers the World

Jae-Ha Kim

Jonathon Brandmeier’s concert Saturday evening at Tinley Park’s World Music Theatre started off with a bang as the popular WLUP radio personality crashed through a video screen, wearing a Superman-style costume. Quickly stripped of that outfit to reveal a slightly less flamboyant combination of a colorful flowered shirt, casual black pants and jacket, Brandmeier and his band, the Leisure Suits, launched the World’s summer season with a two-hour show that included satirical music, glib comedy, a little mooning and a marriage proposal.

Guns N’ Roses shoots straight rock ‘n’ roll

Jae-Ha Kim

Guns N’ Roses, kicking off its first-ever headlining tour Friday night at Alpine Valley, negated the oft-repeated and seemingly true tale that today’s musicians have forgotten what rock ‘n’ roll is all about. Three years after its debut LP “Appetite for Destruction” clawed its way to the top of the album charts, the controversial Los Angeles band gave an aggressive, testosterone-laced performance before an almost sold-out crowd of 40,000 fans, showing that while its members’ tumultuous private lives and business idiosyncrasies are the stuff that keeps gossip columnists in business, their music contains all the elements that make rock ‘n’ roll vital.

Jesus Jones shakes rock to the roots

Jae-Ha Kim

Creating a euphoric version of rock ‘n’ roll that relied on equal parts acid house, hard rock and Beatlesque melodies, Jesus Jones’ performance Saturday night at the Vic Theatre embodied what rock music once was all about. Foregoing the hackneyed formats of its sample-crazed colleagues, Jesus Jones – a five-man band from London – deftly demonstrated that with a little ingenuity, artists can borrow from the past without committing an artistic crime. Jesus Jones is not the savior of contemporary rock ‘n’ roll, but the group has proven that using the musical past is no sin if it’s the way to a better future.

Isaak shines

Jae-Ha Kim

After six years of playing to seemingly the same small group of fans, Chris Isaak made a triumphant return to Chicago, this time as a bonafide pop star. The Junk Monkeys also performed a show over the weekend that made up with power what it lacked in polish. The Junk Monkeys concert at the Avalon on Saturday night proved that while they have “speed pop” down to an art form, the young Detroit musicians would benefit from varying their sets to showcase some of their non-thrash-style songs earlier in their gigs.

Chris Isaak finally wins success in wicked game

Jae-Ha Kim

Everyone knew Chris Isaak would become a star. No one knew that it would take this long. Six years after being touted as the proverbial next big thing in rock ‘n’ roll, Isaak has fulfilled the prophecy of music critics and fans. With the release of his debut LP “Silvertone” in 1985, Isaak was pronounced as this generation’s answer to Elvis Presley and Roy Orbison, all rolled into one neat, Brylcreemed package.

‘Mats intoxicate Aragon crowd

Jae-Ha Kim

The Replacements made brilliant noise Saturday night at the Aragon Ballroom, performing a concert that was inspired in its unabashed celebration of music and unusual in its uncharacteristic professionalism. Their latest album, “All Shook Down,” may be a product of vocalist Paul Westerberg’s musical tastes, but at the Replacements’ concert, each member had his turn in the spotlight. The Aragon’s muddled acoustics make most artists sound foreign, and Westerberg’s raspy vocals at times fell victim to the venue.

Young, warm actress buds in `Blossom’ debut

Jae-Ha Kim

A high school sophomore, Mayim Bialik more than holds her own in the title role opposite a cast of older, more experienced actors. Her co-stars include Ted Wass (of “Soap” fame) as her befuddled father and Eileen Brennan as their cantankerous neighbor. Bialik portrays 14-year-old Blossom Russo, the lone female in a household that includes two very immature older brothers. In tonight’s episode, Blossom’s coming-of-age is dealt with in a way that could make viewers uncomfortable. What could have been a touching and humorous look at how she views her first menstrual cycle with both amazement and fear is instead turned into a tacky lesson on what not to do in comedy.

Matthew Perry looks beyond “Sydney”

Jae-Ha Kim

When he was a child, actor Matthew Perry said, he had a major crush on Valerie Bertinelli. She was the co-star of “One Day at a Time,” a popular CBS sitcom. Years later, when CBS cast Perry to play the boyfriend of Bertinelli’s character on her new “Sydney” series, he was on Cloud 9. But after he had psyched himself up to kiss the actress, the producers told Perry they were changing his character from her boyfriend to her younger brother.

Actor becomes a fan — `Elvis’ grows on Michael St. Gerard

Jae-Ha Kim

Michael St. Gerard’s Presley is the singer during his most attractive stage. Slim-hipped and ever-so-surly lipped, Presley idealistically dreams of fame and fortune as a means of moving his family up from its poor socio-economic roots. St. Gerard’s portrayal of Elvis also has won him admirers both with longtime Presley fans and with the press. Although “Elvis” hasn’t been the ratings winner ABC hoped it would be, the network seems committed to giving the show a chance. With nine shows already in the can, ABC gave the producers the go-ahead to film four more episodes this month.

D.J. Jazzy Jeff, Fresh Prince rap for Disney

Jae-Ha Kim

Rap sensations D. J. Jazzy Jeff and the Fresh Prince are famous for hits such as “Parents Just Don’t Understand” and “I Think I Can Beat Mike Tyson.” But fans will see another side of them when the duo sings an unusual version of “Supercalifragilisticexpialidocious” on a Disney special.

Apple Tree’s cast and audience join forces in ‘The Mystery of Edwin Drood’

Jae-Ha Kim

The audience is almost as important as the cast in the Apple Tree Theatre’s production of “The Mystery of Edwin Drood.” While the actors are responsible for delivering the witty lines succinctly, the audience is expected to determine how each show will end, and to participate in the acting. Shy people may not like hissing at the villain every time he enters, as the audience is instructed to do before the production begins. They may consider it strange to flail both arms in the air every time the show’s title is mentioned. And they also may feel uncomfortable striking up conversations with actors who plop themselves down in chairs next to theirs before, during and after performances.