Journalist, Author & Syndicated Columnist
Despite a more than two hour delay in its concert, the absence of one of its members and some early mixing trouble, Deee-Lite performed a fun, musically diverse concert Sunday night at the Riviera that showed it has a lot more to offer than a stylishly retro look.
The Replacements made brilliant noise Saturday night at the Aragon Ballroom, performing a concert that was inspired in its unabashed celebration of music and unusual in its uncharacteristic professionalism. Their latest album, “All Shook Down,” may be a product of vocalist Paul Westerberg’s musical tastes, but at the Replacements’ concert, each member had his turn in the spotlight. The Aragon’s muddled acoustics make most artists sound foreign, and Westerberg’s raspy vocals at times fell victim to the venue.
A high school sophomore, Mayim Bialik more than holds her own in the title role opposite a cast of older, more experienced actors. Her co-stars include Ted Wass (of “Soap” fame) as her befuddled father and Eileen Brennan as their cantankerous neighbor. Bialik portrays 14-year-old Blossom Russo, the lone female in a household that includes two very immature older brothers. In tonight’s episode, Blossom’s coming-of-age is dealt with in a way that could make viewers uncomfortable. What could have been a touching and humorous look at how she views her first menstrual cycle with both amazement and fear is instead turned into a tacky lesson on what not to do in comedy.
Not playing instruments, not singing and not dancing must have winded them, because after performing for a half hour, 2 Live Crew left the stage for almost that same amount of time. When they returned, they seemed refreshed enough to pick on some more women and encourage the men to call their dates “whores” and “bitches.”
Television actress Susan Lucci will be the center of attention again later this month when the 17th annual Daytime Emmys are presented in New York. But it won’t be because people are expecting her to win an award. Already a 10-time loser for best actress in a daytime serial, Lucci gets more publicity every year for not winning an Emmy than her peers do for winning.
When he was a child, actor Matthew Perry said, he had a major crush on Valerie Bertinelli. She was the co-star of “One Day at a Time,” a popular CBS sitcom. Years later, when CBS cast Perry to play the boyfriend of Bertinelli’s character on her new “Sydney” series, he was on Cloud 9. But after he had psyched himself up to kiss the actress, the producers told Perry they were changing his character from her boyfriend to her younger brother.
Michael St. Gerard’s Presley is the singer during his most attractive stage. Slim-hipped and ever-so-surly lipped, Presley idealistically dreams of fame and fortune as a means of moving his family up from its poor socio-economic roots. St. Gerard’s portrayal of Elvis also has won him admirers both with longtime Presley fans and with the press. Although “Elvis” hasn’t been the ratings winner ABC hoped it would be, the network seems committed to giving the show a chance. With nine shows already in the can, ABC gave the producers the go-ahead to film four more episodes this month.
Starting the show with his current single, “Too Late to Say Goodbye,” Richard Marx seemed a little uncomfortable. But halfway through the song, he got the feel for the cavernous venue. He loosened up and exhibited a bit of fancy footwork he may have picked up from his wife, dancer-actress-singer Cynthia Rhodes.
Rap sensations D. J. Jazzy Jeff and the Fresh Prince are famous for hits such as “Parents Just Don’t Understand” and “I Think I Can Beat Mike Tyson.” But fans will see another side of them when the duo sings an unusual version of “Supercalifragilisticexpialidocious” on a Disney special.
From the screeching that erupted when Barry Manilow stepped onstage Friday night at the Chicago Theatre, you would’ve thought he was one of the New Kids on the Block, and that the predominantly fortysomething audience was filled with love-crazed schoolgirls.
“I’ve had people tell me I’ve got to be more focused with my career,” says Billy Wirth. “But that’s bull. I don’t want to be just one thing. I do what I want to do because I like it. And as long as I’ve got food on the table, my rent paid and a little spending money, that’s all I need right now.”
There are a lot of disc jockeys that listeners automatically will tune away from. And then there’s Jonathon Brandmeier, the multitalented WLUP radio personality who has fans willing to pay to watch him perform. Saturday night, in the first of two concerts at Poplar Creek, Brandmeier had Chicagoans eating out of his hands.
One of Matthew Sweet’s most appealing aspects is that while he is making a niche for himself as one of today’s hippest singers, his songwriting has maintained a sweet innocence that betrays his ultra-cool musician image.
Charlie Sexton’s self-titled debut album doesn’t make as strong an impact as his debut “Pictures for Pleasure.” But just when you’re ready to accuse him of suffering from the sophomore slump, Sexton’s skillful guitarwork and deep, emoting voice convince you he’s worth believing in.
The audience is almost as important as the cast in the Apple Tree Theatre’s production of “The Mystery of Edwin Drood.” While the actors are responsible for delivering the witty lines succinctly, the audience is expected to determine how each show will end, and to participate in the acting. Shy people may not like hissing at the villain every time he enters, as the audience is instructed to do before the production begins. They may consider it strange to flail both arms in the air every time the show’s title is mentioned. And they also may feel uncomfortable striking up conversations with actors who plop themselves down in chairs next to theirs before, during and after performances.
Actor Stephen Caffrey was born in Cleveland, attended high school in five different states and now divides his time between Los Angeles and New York. But ask him where home is, and he’ll say Chicago. “My father was in a business that moved him around a lot, and as a result I was often uprooted,” Caffrey said. “The longest I’ve ever been in one place was the eight years I spent in Chicago. It’s hard to describe what bouncing around from place to place is like to people who haven’t experienced it. But eventually you end up just grabbing hold of home, and for me that’s Chicago.”
In the first of two Poplar Creek shows, Linda Ronstadt played to an enthusiastic, predominantly adult audience, of many of whom sang along with the Mexican lyrics she belted out in her inimitable, guttoral soprano. I got the impression that if she needed to, she could do just as well without the microphone. The tour is in support of her latest album, “Canciones de Mi Padre” (Songs of My Father). Subtitled “A Romantic Evening in Old Mexico,” the Poplar Creek show was the same production that played for three weeks on Broadway. The two-act revue was as much theater as it was a concert.
Without Jude Law, “Music From Another Room” would be just another so-so film with an improbable plot. But in his role as an artist who believes it is his fate to be with a certain woman, the English actor is so charismatic and convincing that the moviegoer is simply charmed by his presence.
Being the young, blond, beautiful daughter of the executive producer for “The Young and the Restless” isn’t enough when an actress wants a job on the CBS soap opera. It pays to beg, said former Chicagoan Lauralee Bell. The 19-year-old TV star portrays high-fashion model Cricket Blair on the daytime drama.
Tonio K.’s latest album, “Notes From The Lost Civilization,” is a cohesive collection of songs. Utilizing the talents of his friends Sexton, Peter Case, Billy Vera, Booker T. Jones and T Bone Burnett, Tonio K. takes his music less seriously than critics who’ve at turns dubbed him a poet and a jester. K.’s music falls into a happy medium somewhere between serious art and giddy pop.