Company can’t quite pull off stage ‘Miracle’

Doris Walker is not a happy woman when we meet her in “Miracle on 34th Street.” Abandoned by her husband, she juggles her career as an events coordinator at Macy’s while raising a precocious daughter, who is growing up to be just like her. Doris has no time for a social life or, apparently, shopping. She is frazzled, tired and–even sadder for a Macy’s employee–badly dressed. But who’s got the time to take advantage of an employee discount when you’ve got “a holiday to run,” as Doris points out.

‘Radio City Christmas Spectacular Starring the Rockettes’ (2001)

The dancer is fetching in her slinky bra and harem pants. She has a splash of bright pink lipstick on her puckered lips and she pirouettes prettily for the audience. Unfortunately for the men in the audience, this isn’t one of the leggy, yet wholesome Rockettes kicking up her heels in this number. Rather, it’s a dancer dressed as a ballerina bear in the “Radio City Christmas Spectacular starring the Rockettes” currently running at the Rosemont Theatre.

“Out Cold” — A boring snowboarding comedy

What could have been a cute comedy is hidden way, way below the surface of “Out Cold.” Just as the film teases its teen audience with the promise of almost but not-quite-there female nudity, this PG-13 movie dances with the possibility of being engaging. But a recurring cruel streak and a cliched, boring script that clumsily attempts to parody “Fight Club” and “Casablanca” trips up the fun.

‘Chop Suey’ is a feast for the eyes

The camera is focused on a group of young friends. Each is more handsome than the next. They have the kind of hard, fit bodies you only find at the Olympics or on the cover of GQ magazine. As moviegoers watch the men, filmmaker Bruce Weber relays the story on how he, at their age, was too embarrassed to change clothes in front of other boys in the locker room. He wistfully admits, “We sometimes photograph things we can never be.”

Joseph & the Amazing Technicolor Dreamcoat

Previous productions of “Joseph and the Amazing Technicolor Dreamcoat” didn’t seem as fun or entertaining as the current incarnation, now in an open run at the Royal George Theatre. Granted, this staging of the Andrew Lloyd Webber musical is much scaled down from the 1993 production starring Donny Osmond at the Chicago Theatre. But this version–the first non-touring commercial production to be granted rights for use of updated material–has a good time interpreting Lloyd Webber’s kitsch.

‘N Sync’s Lance Bass ‘On the Line’ in his first film

Envy me, girls. I am in Lance Bass’s hotel room and guess what? He happens to be here, too.
Never mind that we’re surrounded by his assistant, makeup artist, a handful of publicists and a photographer. I think I saw love in his eyes. OK, maybe it was just the sunlight reflecting from the windows of the W Hotel on Lake Shore Drive. But the point is, Bass–one-fifth of the phenomenally popular boy band ‘N Sync–is so charming he can even make cranky reporters smile.

‘Jin-Roh: The Wolf Brigade’ a war movie without any heroes

What if Japan had been occupied by Nazi Germany after World War II? “Jin-Roh: The Wolf Brigade” explores this possibility by presenting an alternative nation. In this Japanese animated film, Tokyo is dark, bleak and industrial. The city is a war zone, with the police and military battling a small but well-trained group of elite terrorists who negotiate their way through the city’s sewer system. They employ women and children to act as decoys. They have all been trained to believe there is honor in dying for their cause.

Michael T. Weiss pulls weight in ‘Bones’

As the star of “The Pretender,” Michael T. Weiss grew accustomed to wearing natty designer clothes. For his role as a corrupt, corpulent cop in the film “Bones”–which opens Wednesday–Weiss wore a different kind of suit: a fat suit. “People who haven’t seen me since ‘The Pretender’ are going to think, ‘Boy, he really let himself go,'” says the ordinarily lean 6-foot-3 actor.

“Lisa Picard is Famous”

A t the end of “Lisa Picard Is Famous,” Griffin Dunne says, “Sometimes reality just needs a little push.” Apparently, that’s what the filmmakers were trying to accomplish with this mockumentary. Dunne portrays a filmmaker named Andrew, whose goal is to document a person on the brink of fame. But fame is a nebulous thing, and trying to anticipate who will become famous enough to sell his documentary is a crapshoot. He thinks he has found a winning subject in Lisa Picard, a Penelope Miller look-alike who has won some notoriety for starring in a suggestive cereal commercial.

The Backstreet Boys at the Tweeter Center

For all the hammering that boy bands get, the Backstreet Boys were the perfect group to see Saturday night. Just a couple weeks after the terrorist attacks on the United States and talks of impending war, it was a relief to lose yourself in a two-hour show where all you had to worry about was not getting hit with a flying stuffed animal. The Backstreet Boys show was all about fun.

‘Creepers’ nothing to scream about

“You know the part in scary movies where somebody does something really stupid and everybody hates them for it?,” Trish says to her thrill-seeking brother, Darry, in the horror film “Jeepers Creepers.” “Well, this is it.” Right on cue, lil’ bro’ falls down a drainage pipe that leads to a deserted church basement decorated in tacky 1970s gore. There are a few hundred dead (but incredibly well-preserved) bodies here, a sutured stomach or neck part there. Nothing he can’t handle. Yet.