‘Vincenzo’ and adoption myth entrenched in Korean society

“Having been raised using Korean in her family, a Korean American journalist said that she still struggled to speak Korean fluently, and this experience led her to question why Korean entertainment writers and consumers failed to question improbable stories, such as that of ‘Vincenzo,” Lee Kyung-eun — the director of Human Rights Beyond Borders — wrote in her OpEd piece. The journalist she is talking about … is me.

“Mystic Pop-up Bar” (쌍갑포차)

Hwang Jung-Eum is one of my absolute favorite actresses. I love everything about her, especially the forthright way she delivers her dialogue. Her chemistry with both leading men is on point and viewers can see the family-like dynamics shared by the trio. Choi Won-Young and Yook Sun-Jae are superb actors whose subtle (and overt) mannerisms speak to viewers without them having to utter a word.

“Hellbound” (지옥)

Director Yeon Sang-Ha (“Train to Busan”) adapted “Hellbound” from his own webtoon of the same name. He makes it clear that cults are the true sinners, which manipulate people’s lives with fear. And that hell isn’t necessarily a place foreign to us, because it’s where we may already be living. 

“Chief of Staff” (보좌관): Season 1 & 2

Lee Jung-Jae and Shin Min-A star as a political dream team working for opposing candidates. He is a former police officer, whose goal it is to become an assemblyman. She was an attorney and on-air journalist before becoming an assemblywoman.

“D.P.” (디피)

The superb “D.P.” is not an easy series to watch. While not as gory as “Squid Game,” it’s more disturbing in many ways, because it deals with South Korea’s real-life mandatory military duty — which requires every able-bodied Korean man to enlist for approximately two years.