“The Darwin Awards”

Loosely based on the book series of the same name, The Darwin Awards is a wry indie film that deals with the premise that some people will live long and prosperous lives, while the weaker will weed themselves out by committing unbelievably stupid acts (such as smashing into a high-rise window to prove it’s shatterproof, or using dynamite as a means to make a small hole for ice fishing).

“After the Wedding”

Equal parts weepy drama and soap opera, After the Wedding is a beautifully filmed story centering on Jacob (Mads Mikkelsen, Casino Royale), a Danish man working at a orphanage in Bombay. Just when funds have run desperately low, Jorgen (Rolf Lassgård)–a wealthy benefactor–promises to donate millions of dollars to the orphanage. But there’s a catch. Jacob must collect the funds himself in Copenhagen… and attend the wedding of the eccentric millionaire’s daughter.

“Free Zone”

As the women argue about Israeli-Palestinian issues, we sense that there is imminent danger. And that suspense ultimately carries more impact than the dialogue, which is well intentioned but often misguided. Portman is gorgeous and does a fine job emoting (and crying), but this is really Laslo’s movie. Appropriately passionate and stoic, she adds dignity (and at times humor) to a film that is thought provoking, but flawed.

“Blades of Glory”

Take two male figure skaters, throw in a preposterous storyline, and you’ve got Blades of Glory, a surprisingly funny film that almost makes you forgive Will Ferrell for his back-to-back 2005 clunkers “Kicking & Screaming” and “Bewitched.”

“Yves Saint Laurent: His Life and Times” / “Yves Saint Laurent: 5 Avenue Marceau”

Few would have guessed that Yves Saint Laurent idolized beatniks, and even secretly desired to become one. But already known for his impeccable taste and proper upbringing, the fashion designer was reticent to change too much from what brought him fame–haute couture.

“Private School”

Take “Animal House,” throw in a dose of television’s :Bosom Buddies” and you get the Phoebe Cates/Matthew Modine sex farce “Private School.” The 1983 film was shot one year after Cates won fame in “Fast Times at Ridgemont High” (thanks primarily to her little red bikini), and two years before Modine won rave reviews for his work in “Vision Quest.”