“Behind Every Star” (연예인 매니저로 살아남기)

Based on the French series “Call My Agent,” this K-drama actually reminds me more of the U.S. show “Entourage,” but from the viewpoint of combative entertainment agents. “Behind Every Star” focuses on a team of elite agents whose clients include top stars who need to have their egos stroked on a regular basis

Don’t believe the K-dramas: Look to “Return to Seoul” for a more realistic view on Korean adoptees

In the superb “Return to Seoul” – which is Cambodia’s Oscar entry for the Best International Film category – French Cambodian filmmaker Davy Chou (“Golden Slumbers”) takes a look at what it means to be an adoptee who unexpectedly is reunited with her birth parents.

“Under the Queen’s Umbrella” (슈룹)

“Under the Queen’s Umbrella” is my top pick of 2022. If you’re looking for a fantastic series to watch, this sageuk/사극 (or historical drama) is difficult to beat. Kim Hye-soo is magnificent as a queen whose sons’ lives (and her own) are in danger if the Crown Prince dies. She is whip smart and almost always one step ahead of her enemies, who want to destroy her family to elevate their own.

“The Golden Spoon” (금수저)

If you could change places with a wealthy acquaintance, with the condition that you have to give your family to do so, would you? That’s the moral question behind “The Golden Spoon,” which stars BtoB’s Yook Sung-jae (“Goblin,” “Mystic Pop-up Bar”).

“Love in Contract” (월수금화목토)

Sang-eun (Park Min-young) is a stunning young woman who has carved out a niche for herself marrying men. Nope, she’s not a gold digger. Her relationships with her clients are platonic and are based on a meticulously-worded love contract. Well educated and discreet, she is the perfect girlfriend/bride for men who need a well-heeled partner to show off.

“The Law Cafe” (법대로 사랑하라)

“The Law Cafe” is a cute K-drama centering on a couple that has always been in love with each other, but doesn’t realize it. Or, rather, is unwilling to acknowledge it. Jeong-ho is a former prosecutor who quit his job after a scandal was covered up. Yu-ri is his fearless childhood friend — also an attorney — whose passion lies in helping powerless people get justice.

“Little Women” (작은 아씨들)

“Little Women” is a female-led K-drama that’s a loose adaptation of Louisa May Alcott’s novel of the same name. And I mean really loose. The central characters share some of the personality traits as the book’s sisters. And a primary theme in both revolves around the class distinctions between the wealthy and the poor. But this Korean version has its own tale to tell. The show doesn’t vilify the rich so much as it presents scenarios where good people are tempted to commit a crime, because they have nothing left to lose.

“Big Mouth” (빅마우스)

The “Big Mouth” cast is perfect, especially the lead actors Lee Jong-suk (as a lawyer on a losing streak) and Girls’ Generation’s Im Yoon-ah as his pragmatic wife (who’s a skilled nurse). There was not a moment where I didn’t believe that this couple was besotted with each other. Even when they argued, it was obvious that they cared so very much about each other.

“Narco-Saints” (수리남)

Two Korean men move to Suriname in the hopes of making some fast money. Their goal is to buy skate, which Surinamese don’t want, for pennies and resell them in South Korea at an inflated price. But when cocaine is found in one of their shipments, both men are arrested and jailed.

“Seoul Vibe” (서울대작전)

“Seoul Vibe” is full of backstabbing, murder and mayhem. Director Moon Hyun-sung does a commendable job at keeping the plot moving, but he knows that the wild car chases are the key to this movie.