Journalist, Author & Syndicated Columnist
With her first novel, “Free Food for Millionaires,” Min Jin Lee has won the praise of literary critics. Though 562 pages, the book is a true page-turner, with a Korean-American protagonist and a compelling plot involving the universal clash of cultures, adultery and class distinction.
When entrepreneur Irving “Bud” Levin started the San Francisco International Film Festival in 1957, his intention was to compete with the prestigious festivals already thriving in Berlin, Cannes, Edinburgh and Venice and to establish the U.S. as a viable member of the international film-festival circuit. Today, as its 50th anniversary edition begins (the event runs through May 10), it’s clear that America’s oldest film festival, which features 25 juried awards and is presented by the San Francisco Film Society, has established a venerable presence on the North American circuit — even though it might not necessarily have eclipsed, say, the Sundance Film Festival just yet.
For almost everyone in the entertainment business, awards season culminated with the Oscar ceremony late last month. But for J. Wayne Anderson and Mary Ann Anderson, 2007’s ShoWesters of the Year, the festivities are only just beginning.
More than two decades ago, an Israeli rock star affectionately known to his fans as Poogy decided to create his own film festival. An avid lover of the arts and an actor himself, Poogy invested $35,000 of his own money into the venture and formed a fest designed to showcase the work of Israeli filmmakers. He was unsure of how film fans would react to his project, but he was certain that it was something he had to try.
During her recent three-week trip to Vietnam, actress Jordana Spiro made do with just one backpack. “Really, there’s almost nothing you can’t buy there if you need it,” she says. “It’s a completely amazing place and I’d go back in a second.”
Slamdance Film Festival co-founder and president Peter Baxter knows all too well what goes into making a movie and trying to find an audience for it. Baxter currently is working with James Zalcman on “Wild in the Streets,” a documentary about a rough English sport that was the precursor to soccer.
A crop of outstanding documentaries bravely examines some of the modern world’s most pressing issues — from global warming to free speech.
Penelope Cruz is an anomaly. As talented as she is gorgeous, the 32-year-old thesp has defied categorization. At a time when actresses complain about a lack of juicy roles for women, Cruz balances a career that includes Hollywood blockbusters and foreign films in which she speaks fluent Italian, French and her native Spanish. She’s a red-carpet favorite, and during her off-time, she’s not above punking her good friend Salma Hayek.
The “It” factor isn’t something actors can learn, hustle or buy. Either they have it or they don’t. And every year, television produces a break out star or two that has it. Last year, it was Wentworth Miller (“Prison Break”). Never mind that he wore a prison uniform and a buzz cut for the entire season.
Back then, Hollywood was respectable, much like the rest of America. A secret was a secret to be kept, and the studio moguls made sure they were kept.
In both the book “Memoirs of a Geisha” and its film adaptation, women fall into two categories: sexy geisha and conniving dragon ladies, two stereotypes about Asian women that linger today. Already some members of the Asian-American community are worried that the film, which opens locally Friday, may reinforce unflattering images of Asian women as being submissive, sexual objects.
We live in a time when the media tell us who we are. What “Lost” has done is tell the world what Asians aren’t. We aren’t all martial arts experts. We aren’t all college educated and over-employed. We’re not always the model minority. We don’t all own dry-cleaning businesses. And just as importantly, we’re not all nice.
Minnie Driver knew that when she released her debut album, “Everything I’ve Got in My Pocket,” some would be quick to dismiss her as just another actor-turned-wannabe-singer.
By Jae-Ha Kim Chicago Sun-Times November 25, 2004 When his manager called to ask if he wanted to co-host television coverage of the 71st annual State Street Thanksgiving Parade, Ricardo Chavira said no. “I love […]
Young star-on-the-rise Keke Palmer joins seasoned pro William H. Macy in “The Wool Cap,” a TNT original film airing Sunday night.
Singletons, take note. “Bridget Jones: The Edge of Reason” is just a couple days from opening, and that’s reason enough for many of you to celebrate. While all the “smug marrieds” are at home arguing about whose turn it is to pay the bills (or bathe the children), you can kick back with your bitchin’ friends, enjoy a cocktail and revel in all things Bridget.
At face value, there is no reason why women would choose Hugh Grant’s character over Colin Firth’s in “Bridget Jones’s Diary.” Both are good looking, have great jobs and cute English accents. But throw in the fact that Mark Darcy (played by Firth) is a soft-spoken gentleman while Grant’s Daniel Cleaver is a womanizing cad and Grant is the bad boy winner. Never mind that whatever woman he’s dating is destined to be the loser. The fact is, just as high school girls love the pot-smoking, long-haired dropout, women love bad boys, too.
Lawd knows Lori Petty’s a busy woman. She’s an actress, painter, director and writer. But that hasn’t stopped the quirky actress from adding designer to her list of credits. Best known for her work in “A League of Their Own” and “Point Break,” Petty has a year-old line of casual wear called Lawd Knows that reflects her inspirational side.
While thousands of would-be actors toil away as waiters waiting for their big break, Wanda Sykes is sauteeing veggies in a Chinese restaurant, driving athletes around in a limo and snapping photos of a couple at their wedding. Of course, it’s all part of her reality Comedy Central series, “Wanda Does It,” in which the sassy comedic actress tackles non-showbiz jobs.
If you were sitting at a symposium and a well-spoken expert in a suit talked about the benefits of enslaving the poorest sectors of society, would you challenge the speaker’s theories, walk out enraged or clap politely?