Journalist, Author & Syndicated Columnist
Eric Stoltz has it made. He’s a movie star (“Pulp Fiction,” “Mask,” “Rob Roy”) who has no problems making TV guest appearances (“Mad About You,” “Partners”). He’s an actor with leading-man looks who hasn’t been hampered with pretty-boy roles (OK, he did do “Some Kind of Wonderful,” but he was really young then). And his girlfriend is Bridget Fonda.
Shannen Doherty and Jeremy London (“I’ll Fly Away”) are the two big names in Kevin Smith’s latest movie, “Mallrats.” But Jason Lee is the star. Jason who? “That’s OK,” Lee said, dining on a light lunch of chicken and pasta during a recent visit to Chicago. “I haven’t been in anything.”
“Arabian Knight” is no worse than your standard Saturday-morning cartoon fare. Unfortunately, it’s also no better.
The producers of “Mortal Kombat” know that the strength of their movie is based on the actors’ abilities to execute awesome roundhouse kicks, not soliloquies. So it’s not surprising that the sci-fi action-adventure, which opened Friday and totaled $23 million nationwide over the weekend, is heavy on fight scenes, low on plot.
People who question whether the Man of Steel is invincible have to check out “Off Camera With Dean Cain” at 7 tonight; on WLS-Channel 7. It’s not kryptonite that foils Cain – the man in tights on ABC’s “Lois and Clark: The New Adventures of Superman,” which airs at 7 p.m. Sundays on WLS-Channel 7 – but rather a quick soccer shootout with Andrew Shue. That’s right – the milquetoast Billy on “Melrose Place.” “Soccer is not my forte,” said Cain, laughing. “Even if it was, Andrew still probably would’ve kicked my butt.”
There’s a new improv play in town called “Sue Your Ex” that just might be the cure if you’ve been dumped and want revenge. There are lots of things we can do to make ourselves feel better after a relationship sours. But remember – stalking’s illegal. “Sue Your Ex” provides an alternative. There’s nothing quite like having the support of a rapt audience as your love life is played out before you by an ensemble cast.
Ashley Judd is talking to her mother, Naomi (yes, that Naomi), on the phone when a reporter arrives for an interview at her Schiller Park hotel suite. Suffering from a sinus infection that she hasn’t been able to shake for the past week, Judd apologizes for her appearance.
In 1958, comedian Carl Reiner wrote his first novel, Enter Laughing. Now, thirty-seven years later, the sequel Continue Laughing (Birch Lane Press, $19.95) arrives. That’s quite a gap, but Reiner hasn’t exactly been lying low in the intervening years.
It’s difficult to believe it has been three years since the Gin Blossoms released their breakthrough album “New Miserable Experience” – until you attend their concert and realize you know just about every song. Nonetheless, the familiarity of the Blossoms’ music did nothing to detract from the enjoyment of their well-crafted pop-rock songs when the musicians headlined Sunday at the Taste of Chicago.
When Anchee Min wanted to attend the School of the Art Institute in 1984, a friend who knew English filled out her application forms, marking off “excellent” under the category for “English language skills.” When Min arrived in Chicago to begin classes, it quickly became apparent to the school’s administrators that she spoke virtually no English. She was told to come back when she had learned enough to understand classes. Six months later, Min was a student there.
“Fluke” gives new meaning to the phrase “men are dogs.” In this new adventure film, Fluke is the canine reincarnation of a man who died in a freak auto accident. Thomas Johnson (Matthew Modine) and Jeff Newman (Eric Stoltz) are best friends and business partners. After a fight, Johnson gets into a fatal car crash.
So Robert De Niro and Marisa Tomei gained weight for their movie roles. Big deal. Comet – no last name, please – easily can one-up them. The 9-year-old had his luxurious blond mane snipped and dyed murky brown, perfected a limp and convinced the casting director that he could play a 1-year-old in the new comedy “Fluke.” Oh, did we mention that Comet is a dog?
If you like actors mingling in the audience and cajoling you to dance with them, then “Song of Singapore” is just the play for you. But if you prefer that actors remain on stage and don’t touch the ticket holders, you’ll want to skip the latest interactive play to hit Chicago. “Song of Singapore” – which opened Monday night at the Pipers Alley Entertainment Complex – isn’t nearly as obnoxious as the preternaturally successful “Tony ‘n’ Tina’s Wedding,” which still is running at Pipers Alley in a theater next door.
At the beginning of “Picture Bride,” a 16-year-old girl living in Tokyo is shown a picture of a handsome Japanese man who has immigrated to Hawaii. Along with the photograph, he has sent a beautiful, poetic letter that doesn’t win her heart so much as it promises her a better life than what she has now. She sends back her picture, and the two agree to marry.
This is the first time I’ve ever prefaced a film review with this tip: Trim your nails before going to see “Ride For Your Life.” The interactive film is boring to watch but fun to participate in.
By Jae-Ha Kim Chicago Sun-Times April 30, 1995 Crobar, Excalibur, Big Nasty . . . These Chicago clubs are as different as can be from one another. Similarly, the clubs that our favorite TV characters […]
The only thing super about “Super 8 1/2” is in its title. A low-budget flick that the filmmakers describe as a “faux documentary of sorts,” the movie is supposed to be to pornography what “Spinal Tap” was to heavy metal music – a witty sendup.
Russell Wong has been recognized. Best known for his role as the cruel, playboy husband in “The Joy Luck Club,” the 6-foot actor seems oblivious to the gawking female guests at the Four Seasons Hotel. He’s more interested in finishing his fruit salad and peppermint tea. Wong, who stars as Jian-Wa Chang in the syndicated series “Vanishing Son,” took a breather to chat with us during his first trip to Chicago.
The fans came early to the Near West Side with some of the most difficult-to-score tickets in town. Most had called in their orders weeks ago, never imagining they’d be watching history take place. After quitting prematurely, a Chicago legend was coming back to form.
The yakuza – the Japanese equivalent of the Mafia – has achieved notoriety of romantic proportions in films such as “Black Rain” and “The Yakuza.” But in his brilliantly clever “Minbo – Or The Gentle Art of Japanese Extortion,” director-writer Juzu Itami presents the group as nothing more than a bunch of thugs who take pride in chopping off bits of each other’s pinkies and think nothing of hiding cockroaches in food to blackmail restaurants for hush money.