‘Fantasticks’ is more than romantic farce

The Fantasticks” is a charming musical set during a time when walls were able to keep young lovers apart and parental matchmaking was an accepted form of courtship. Tom Jones (no, not that one) and Harvey Schmidt wrote “The Fantasticks” for a summer theater production at Barnard College. It opened Off-Broadway in 1960. The longest-running musical in the world, it closed in New York in January after 17,162 performances over the past 42 years.

Crowd gives Avril Lavigne big, wet one

Every generation has a hero, and this one seems to idolize Avril Lavigne–the neck-tie wearing, skateboarding Canadian teenager whose plaintive songs have struck a chord with teenagers. Of course in kid years, a generation only lasts a couple years tops. But judging by her debut album, “Let Go,” and the strength of her live performances, Lavigne appears to have the talent and tenacity to mature as an artist who will continue to win fans regardless of her core following growing up.

Piper Perabo

Piper Perabo doesn’t look like the type of woman who could take on The Rock. But the big-time wrestler had nothing on the diminutive actress when he accidentally spilled a glass of champagne on her mother. “I looked at him and said, ‘You’re huge. You shouldn’t be going around bumping into people and spilling things on them,'” says Perabo, laughing.

Cho ‘Notorious’ for unstereotypical laughs

Over the past few years, Margaret Cho has grown comfortable with herself–a funny, whip-smart comic who doesn’t fit any of the glorified stereotypes of what an Asian American woman should be. She doesn’t play the violin. She doesn’t figure skate. She’s not good at math. She never wanted to be an anchorwoman. And if she knows how to make sushi or give a good back rub, she’s not telling.

Speaking with … Maureen McCormick

“My father happened to be over the day that I was sent the script [for ‘The Vagina Monologues,'” says McCormick, 46. “He read the whole play and said, ‘Every gal and guy should go see this.’ He was so amazed by it. It’s such a well-written, well-crafted show. I have to say that when I read the script, I was like, ‘Yes, I’ll do it. This is so cool.’ ”

Oasis: Brash brothers live up to bravado

If Liam Gallagher ever quit the music business, he could make a nice career for himself as an actor specializing in freeze-frame. If the guy moved more than a few times Tuesday night at the Chicago Theatre, it usually was to exit when his older brother, guitarist-songwriter Noel, sang lead. But that’s nothing new. Oasis never was known for its enthralling stage presence.

‘Cherest show of all’ is a sparkling triumph

“If I’m gonna go around one more time, it better be good,” Cher said Thursday in the first of two consecutive nights at the United Center. “I have to raise the bar for a lot of these young girls coming up.” Without missing a beat, Cher jokingly challenged, “All right, follow this, you bitches.”

Mature Jewel goes with flow

Jewel may have been nursing a broken collarbone and ribs, but there was nothing ailing her voice Sunday night at the Chicago Theatre. Backed by a five-piece band, the singer-songwriter captivated the sold-out crowd with a two-hour plus concert that showed off her flexible range. She sang all the expected hits from her three studio albums (excluding her Christmas CD, for obvious reasons).

All-‘American Boy’ Isaak still golden

If you were to believe the songs Chris Isaak sings, he is one unlucky son of a gun when it comes to love. “Wicked Game” is about a tortured love affair. He wrote “Forever Blue” after his fiancee broke up with him. And in his latest single, “Let Me Down Easy,” Isaak pleads with his latest lover to go easy with his heart.

Players get kicks from World Cup

Who says Americans are done playing soccer? Whether you’ve just discovered the sport or are a lifelong fan, there are plenty of video games to help you get your fix–even after the final World Cup match on Sunday. Here’s a look at some of the more colorful titles.

Nicolas Cage, John Woo — An unbroken code

Friendship isn’t the first word most people would think of to describe the World War II epic “Windtalkers,” which opens Friday. But it pops up frequently when the film’s stars Nicolas Cage and Adam Beach, and their director, John Woo, get together to discuss the movie. “I knew very little about this part of history,” says Woo. “That is one reason why I wanted to make the film. It was important to me to show how important the Navajo Americans were to World War II. But I also wanted to show the camaraderie and friendship between the men–the respect that they gain for each other in a very difficult time.”

Matt Damon: ‘Bourne’ to run

Matt Damon has portrayed All American boys (“Good Will Hunting,” “All the Pretty Horses”), gaunt junkie soldiers (“Courage Under Fire”) and creepy thin killers (“The Talented Mr. Ripley”). But unlike his good friend Ben Affleck, who showed off his action hero prowess in “Armageddon,” “Pearl Harbor” and “The Sum of all Fears,” Damon has been slow to capitalize on his hunk factor.

Goo Goo Dolls not ready for shelf

Back when the Goo Goo Dolls debuted, they were a straggly threesome that put little thought into on-stage wardrobe. They just rocked the house like the best little garage band from Buffalo, N.Y., that they were. These days, the look is more refined with expensive haircuts, leather pants and even a little eye liner. But the sound hasn’t changed much. Sure, there are more ballads than before, but the deliciously raucous rock ‘n’ roll spirit remains the same.

A fly spy: “Undercover Brother”

The opening of “Undercover Brother” perfectly sets the tone for this comedy. Driving a vintage Cadillac, Undercover Brother has one hand on the steering wheel and the other holding a filled-to-the-rim drink. As the car executes a few 360-degree spins to avoid a car crash, our cool hero has a smile plastered on his face and not a hair of his retro ‘fro out of place. Not a drop of the soft drink spills on the car’s upholstery.

‘Angelina Ballerina’ keeps author on her toes

When she was a little girl growing up on the North Side of Chicago, children’s book author Katharine Holabird imagined herself as a beautiful, graceful ballerina whose jumps were as light as a feather.

“I was a theatrical, melodramatic child,” says Holabird, phoning from Los Angeles. “I was also a tubby little 4-year-old waltzing around the house who thought I was this beautiful archetype–a ballerina.”