Journalist, Author & Syndicated Columnist
2019 is shaping up to be Blackpink’s breakthrough year. The all-girl Korean quartet kicked off the U.S. leg of a world tour with a concert at Coachella that was livestreamed in New York’s Times Square.
BTS’ RM went a little bit country late Wednesday night with “Seoul Town Road,” his surprise collaboration with Lil Nas X. Unlike Billy Ray Cyrus – who is featured on the latter’s chart-topping “Old Town Road” remix – the Korean rapper hasn’t dabbled in country music previously. Not the American genre, anyhow.
BTS will be back on the big screen this summer. The Korean pop group announced today that their latest feature film, “Bring the Soul: The Movie,” will have a global release on August 7. It arrives just six and a half months after the septet’s last film release, “Love Yourself in Seoul.”
BTS has figured out the most challenging aspect of stadium shows: how to make them feel intimate. Their boy-next-door charm, lively banter (in both English and Korean) and constant engagement with projected a warmth that reached the upper bleachers of Soldier Field. And even a language barrier doesn’t distract from the storytelling aspects of their songs: Most of the fans in the stadium tonight have long since translated the lyrics.
It has been a good week for BTS. On Wednesday (May 1), the South Korean group won two awards at the Billboard Music Awards (for top duo or group and best social artist). On Saturday (May 4), the septet kicked off its global “Love Yourself: Speak Yourself” stadium tour at the Rose Bowl Stadium in Pasadena, Calif. They will play the second of two consecutive sold-out nights on Sunday.
One of Japan’s most popular groups, Perfume became the first J-Pop act to ever take the stage at the Coachella Valley Music and Arts Festival with a performance last weekend. Formed in 2000, the electro-pop trio will do another set at the fest’s Gobi Tent on Sunday. That concert will conclude Perfume’s U.S. tour to promote their album, “Future Pop.” Nocchi (Ōmoto Ayano), Kashiyuka (Kashino Yuka) and A-chan (Nishiwaki Ayaka) made the most of their Coachella experience: The group caught a bit of Ariana Grande’s show and attended parties hosted by Interscope and Moschino. The experience, they said, was a dream.
The success of Korean superstars BTS has paved the way for multiple K-pop acts to try their chances in the U.S. — but few will be making their U.S. concert debut with as much panache as Blackpink.
In 2013, BTS was just another Korean boy band signed to a small label that hardly anyone had heard of. Six years and a K-pop global explosion later, they are the most popular boy band in the world, which is why fans around the globe set their alarm clocks (or pulled all-nighters) to catch the global release of “Map of the Soul: Persona” at precisely 6 p.m. KST (2 a.m. PT/ 5 a.m. ET).
Tiffany Young was 15 when she left her native California for Seoul, South Korea, where she hoped to become a music star. Within two years, the teenager made her debut with Girls’ Generation, which would become one of the most successful K-Pop groups ever. She’s back in the U.S. and has a new solo single, “Over My Skin.” My latest interview for Rolling Stone.
In modern South Korea, pop stars and politics don’t often mix. While some hip-hop acts (such as Epik High) address controversial topics, many idol groups stick to a slick, apolitical formula with a proven record of success. BTS, who just became the first K-pop act ever to top the Billboard 200 album sales chart, have become a record-setting success story in part because of their willingness to buck this convention. My latest essay for Rolling Stone.
Moreso than any of the previous episodes of “Burn the Stage,” this finale is a love letter from BTS to their fans. The eight-part docu-series ended with “Spring Day” playing over the credits. As many of you already know, that song touches my core every single time I hear it, so I’m a little verklempt as I write this.
Having your music cut out mid-song is a living nightmare for musicians. But if you have the wherewithal to go with the flow with the good and the bad, those moments also can become a highlight of the evening. During a concert in Osaka last year, J-Hope was faced with exactly this dilemma. He describes it as the worst thing that can happen at a show. But he handled it with aplomb.
The men in BTS are still so young. But I get the impression that they are not oblivious to the passage of time. They know the half life of a musician’s career isn’t forever. Far from it. And while a part of me feels sad that they had to grow up so fast in the music business, the other part is grateful that they appear to be making plans for the future, even as they are enjoying what they have today.
I was delighted that Chicago was so beautifully prominent in this episode. Late one night back at their hotel, they’re trying to figure out how to perform on a tiny stage for their first U.S. television appearance. I used to do a little work for JBTV way back when, and I can tell you that the stage is tiny. It’s fine for most of the bands that pass through Chicago. But most bands aren’t BTS.
The argument between two members of BTS was hyped up as being a shocking revelation in the previews. But for anyone who has a sibling — or who has ever been in a serious relationship — speaking the uncomfortable truth is par for the course. Arguments often aren’t about what you’re addressing at the time, but rather all the little things that have built up to make you reach that boiling point. What was more interesting to me was watching Jin and V dig to the bottom of the real issue: respect.
정 (jung) is a Korean word that is difficult to define in English. 정 encapsulates a feeling of love and loyalty that people have for one another. They will do things out of the kindness of their hearts, rather than as quid pro quo. As I watched the members of BTS drinking and laughing together, I realized that it was this 정 they had for each other that was as much of a component of their success as anything else.
I imagine that for the members of BTS, presenting an idealized version of their real selves was par for the course. But with “Burn the Stage,” they have come to terms with who they truly are and are confident enough to show it to the public. It is difficult to explain why this first episode was so moving for me. Certainly, there is the aspect of seeing Asian Representation so beautifully presented; and in a manner that doesn’t exoticize these young men as strange creatures from a foreign land.
Music legend Neil Sedaka is back on the road performing concerts to promote his latest album, “Music of My Life.” Based out of New York and Los Angeles, the 71-year-old singer-songwriter loves to travel, whether it’s a family vacation to Hawaii or a staycation in his beloved Big Apple. Next on his list of places he’d like to visit? “It seems I’ve been everywhere, but I’ve never been to Eastern Europe,” Sedaka says. “(I’d like to travel to) Poland, the Czech Republic and Romania one day.”
During the 1990s, Juliana Hatfield was the It Girl for alternative rock. More accessible and cooler than Courtney Love, Hatfield had a knack for penning clever songs with her group Blake Babies. She was an indie sensation that girls wanted to emulate and boys wanted to date. What her fans didn’t know was that Hatfield was battling both an eating disorder and depression. She contemplated jumping out a window — not, she says, to commit suicide, but so that she could escape her depression.
Four decades before 15-year-old Miley Cyrus caused a media uproar for posing for photographs that implied she was nude, Janis Ian — then also 15 — wrote the critically acclaimed song “Society’s Child.” A thoughtful look at interracial dating, the song was deemed too controversial to play on many radio stations across the country. A few years later, Ian would become a pop star, thanks to her best-known song, “At Seventeen,” which told the universal tale, “Dreams were all they gave for free, to ugly duckling girls like me.”