Teenage Fanclub cranks out sweet harmony

If they had to, the musicians in Teenage Fanclub could cloak many weaknesses with their sweet melodies and delicious harmonies. But when the vocals are as perfect as they were at the band’s Chicago debut Friday night at the Cabaret Metro, it really doesn’t matter how profound or inane the lyrics are. At their sold-out show, the group dished up the same savory vocals that are featured on its current LP “Bandwagonesque,” but with the added bonus of cranked-up instrumentation.

Not like on the record: Live, Fanclub cranks it up

“Our producer told us that anyone can get good guitar or drum sounds, but the vocals identify you as individuals,” says Raymond McGinley, guitarist-vocalist for Scotland’s latest darlings, Teenage Fanclub. “That’s one reason why we all sing, even though I’m not particularly comfortable doing it.”

Joan Jett flexes her musical muscle

The only thing coy about Joan Jett Saturday night at the Cabaret Metro was the peekaboo lace catsuit she wore. With a guitar slung low on her hips and a sly sneer spread over her lips, Jett out-machoed the male guitarists she grew up emulating and took her fans through a gritty, 85-minute rock ‘n’ roll odyssey, where sweat and vitality were as essential to the show as a solid riff.

Tupac Shakur, Khalil Kain: Newcomers squeeze drama from `Juice’

When an actor plays his role so well that his buddy’s mom refuses to speak to him, he knows he has done his job. “After the screening of `Juice,’ my mother couldn’t even look at Tupac (Shakur, who plays Bishop), much less speak to him,” said Khalil Kain, whose character, Raheem, has a tragic falling out with his friend Bishop. “Even though that’s an irrational feeling, I certainly understand it. Certain scenes between Bishop and Raheem were intense even for me, and I knew how everything was going to turn out.”

Ned’s Atomic Dustbin blasts out punk assault

The banner behind the drum kit read “Be Silent. Consume. Die.” When Ned’s Atomic Dustbin made a return engagment Tuesday night at a sold-out show at the Cabaret Metro, the five young Brits took a similarly simple, minimalistic approach to their music, assaulting the audience with a barrage of sounds that joyously paid homage to punk, thrash and pop.

Joan Jett changes her tune

Joan Jett has been a part of the rock ‘n’ roll vocabulary for so long, it’s easy to forget she is just 32. She has been neither a trend-setter nor a follower in her 17-year music career. Even when critics dismissed her as a novelty, one-trick pony or, perhaps worst yet, “girl singer,” the raspy-voiced musician persevered and produced a string of anthemic records that hailed the primal joys of adolescence with rebellious vocal sneers.

`Grebo rock,’ as synthesized by Ned’s Atomic Dustbin

Back when Ned’s Atomic Dustbin started, the five-man British group was lumped in with Jesus Jones and Pop Will Eat Itself in a genre called grebo rock. In English schoolyard lingo, “grebo” is the equivalent of “dork.” In pop jargon, it refers to a long-haired, smelly person. Either way, Ned’s considers the term appropriate.

Hark! Arc Angels flying in for New Year’s Eve show

“I wave a banner for Charlie (Sexton),” David Bowie said, calling from Liverpool, England. “I like him a lot. He’s a good kid and very talented. Yes, he’s very pretty, but he didn’t need to be oversold. (MCA) saw him as a one-man Duran Duran, which was a big mistake. Charlie’s a blues boy and that’s where he really shines. Arc Angels probably is the best thing for him at this point in his career.”

Tin Machine gives its singer power to be Simply Bowie

It has been a long time since David Bowie has felt this good about himself. The former David Robert Jones, Ziggy Stardust and Thin White Duke has carved out a new musical niche without creating a new persona to play it out. Bowie is in Liverpool, England, on this day, congenially promoting his group, Tin Machine. He’s newly engaged to the model Iman, and sips on a cup of hot tea, his substance of choice these days. Mentally scanning his flamboyant 25-year career, he comes to the conclusion that his life, as that of most musicians, would make a boring film.

Woody Harrelson promises: `I can sing’

In Hollywood, where every other person claims to be an actor, singer, model or screenwriter, actor Woody Harrelson doesn’t raise too many eyebrows when he jams with his group Manly Moondog and the Three Kool Kats. But when the “Cheers” star takes his 10-piece band out on the road, he attracts a crowd that’s made up of music lovers as well as a strong contingent of curiosity seekers who want to know if “the boy can really sing.”

Material Issue succeeds with the basics

When Jim Ellison lived at home in west suburban Addison, his parents got used to waking up and finding teenage girls parked in front of their home, hoping to catch a glimpse of the Material Issue singer. When he was on the road touring, Ellison’s mom would walk past his bedroom and hear giggling fans leaving vaguely obscene messages on his answering machine.

Big Audio Dynamite II detonates a powerful performance

“If I had my time again, I would do it all the same,” Mick Jones sang Saturday night at the Riviera. But with his superb band, Big Audio Dynamite II, Jones made it clear he had no interest in repeating anything musically. B.A.D. II’s guitar-heavy sound was augmented by a disc jockey and pre-recorded tapes that spit out hip-hop samples and keyboard tracks.

Jesus Jones gives style to substance

For all that’s been said about its innovative use of sampling, Jesus Jones ultimately is a taut rock ‘n’ roll band that gives concertgoers something worthwhile to look at, as well as listen to. Returning to Chicago for a sold-out gig Friday night at the Aragon Ballroom, the British group performed a confident, polished set that showed how much it matured musically since first touring the U.S. a year ago.

It’s not same old song in hands of Jesus Jones

With Jesus Jones, what you hear isn’t always what you get. Spearheaded by songwriter-vocalist Mike Edwards, Jesus Jones is a band that uses sampling as an art form rather than an easy way out. The sound snippets Edwards selects to sample are rarely left in their original state.  Rather, he creates new sounds by elongating sighs, changing pitches and distorting voices.

TAMI Show takes its act on the road

“I saw Jellyfish on David Letterman’s show and they were really, really good,” said Claire Massey, vocalist for TAMI Show, the Chicago-based pop-rock group. “(Their) being so good made me feel a little estranged from playing live and writing music because we’ve done so many things for radio and promotion that have been more of presentations than concerts. It has to be done, but it also gets a little frustrating sometimes.”

You can’t judge a band: Video emphasis puts good looks ahead of talent

Music today looks better than ever, thanks to videos that airbrush ordinary-looking folks to pinup perfection and catapult so-so singers to superstar status.  If looks can thrill, then MTV delivers the goods.  The network has made music fair game for artists who sometimes control their visually enticing pecs better than their voices.