“Thirty-Nine” (서른, 아홉)

“Thirty-nine” is a reminder that while we’ve all made mistakes in our lives, we can’t continue to punish ourselves forever. Life is short. There is no guarantee of a tomorrow. Be honest and live your best life.

“Mystic Pop-up Bar” (쌍갑포차)

Hwang Jung-Eum is one of my absolute favorite actresses. I love everything about her, especially the forthright way she delivers her dialogue. Her chemistry with both leading men is on point and viewers can see the family-like dynamics shared by the trio. Choi Won-Young and Yook Sun-Jae are superb actors whose subtle (and overt) mannerisms speak to viewers without them having to utter a word.

“Beyond Evil” (괴물)

“Beyond Evil” is one weird (in an interesting way) Korean series that centers on the search for a serial killer, who murdered multiple women — including the protagonist’s younger sister. Virtually all the major characters are suspects at one point or another, with damning evidence that has been carefully weaved into the storyline.

“Run On” (런 온)

There are several subplots percolating in “Run On,” but the most interesting was the bullying, especially in light of the accusations of real-life bullying scandals surrounding idols and actors. This K-drama offers a perspective that bullying is a part of Korean hierarchy, and those with wealthy and powerful parents won’t be punished. Those who are poor and powerless won’t get justice.

“When the Weather Is Fine” (날씨가 좋으면 찾아가겠어요)

Park Min-Young and Seo Kang-Joon are both skilled actors, whose expressions convey the complicated emotions their characters have. Neither had an easy life and they are almost fearful of expecting — or even wanting — more than what they have.