Journalist, Author & Syndicated Columnist
“Summer Strike” is one of those series that I started started, was meh about, and then returned to a few months later and found myself binging the rest of the show. The premiere episode was strong, focusing on a young office worker whose good nature is taken advantage of both at work and in her long-term relationship with a man who breaks up with her.
Back in my era, the teachers encouraged immigrants to only speak English at home so that we wouldn’t fall behind. But what they didn’t know at the time — or perhaps they didn’t really care about — was that in the rush to make us understand English, many of us lost our ability to converse in our birth language.
One of the best K-dramas of the year, “Queenmaker” is the latest female-centric series led by women in their 40s (and older) that in nail-bitingly good. A political thriller with twists and turns, two foes unite to take down a corrupt chaebol family that will stop at nothing to protect their financial and familial interests.
This second season of the revenge series “Taxi Driver” is adept at tackling inspired-by-real-life cases, like the Burning Sun scandal, where privileged male clubgoers were given access to drug and assault women.
At the center of this series is a trio of middle-aged male friends. Sung-han (Cho Seung-woo) is a classical pianist turned divorce attorney. Kim Sung-kyun plays his best friend Hyung-geun, who is reticent to give his wife — who is already pregnant with her new partner’s baby — a divorce. And Jeong-sik (Jung Moon-sung) runs a real estate business in a building owned by Sung-han.
“It’s my dream to travel around the world and play with local musicians playing their traditional instruments,” Suga says in his documentary Suga: Road to D-Day. “It’s my dream to record them and make music based on that.” But he has trepidation, too. “I worry that I won’t have anything to talk about,” Suga says. “I have fears that I have no more dreams to follow.”
“Little Women” actress Park Ji-hu consistently brings a sense of gravitas to her performances, embodying the youthful characters she portrays in a nuanced and truthful way. Here’s my cover story on the 19-year-old South Korean actress for Teen Vogue.
Do Koreans swear? You betcha! You’ve probably heard them plenty of times in your favorite K-dramas, but they weren’t subtitled as such.
“Crash Course in Romance” is about an elite hagwon math tutor who is so popular that mothers line up at all hours to get their children seats at his lectures. By chance, he encounters a former national handball player who gave up her dreams of competing on an international level to care for her niece, who was abandoned by her mother.
The “Green Mothers’ Club” revolves around a group of moms whose lives are spent pushing their young children to academic excess. They spend money they don’t have on after-school hagwons for extra tutoring. And they clique together and take turns turning on whichever mom has been deemed the weakest for that week. Ultimately, the young lives they’re trying to elevate are the ones who suffer.