“Behind Every Star” (연예인 매니저로 살아남기)

Based on the French series “Call My Agent,” this K-drama actually reminds me more of the U.S. show “Entourage,” but from the viewpoint of combative entertainment agents. “Behind Every Star” focuses on a team of elite agents whose clients include top stars who need to have their egos stroked on a regular basis

“Under the Queen’s Umbrella” (슈룹)

“Under the Queen’s Umbrella” is my top pick of 2022. If you’re looking for a fantastic series to watch, this sageuk/사극 (or historical drama) is difficult to beat. Kim Hye-soo is magnificent as a queen whose sons’ lives (and her own) are in danger if the Crown Prince dies. She is whip smart and almost always one step ahead of her enemies, who want to destroy her family to elevate their own.

“Love in Contract” (월수금화목토)

Sang-eun (Park Min-young) is a stunning young woman who has carved out a niche for herself marrying men. Nope, she’s not a gold digger. Her relationships with her clients are platonic and are based on a meticulously-worded love contract. Well educated and discreet, she is the perfect girlfriend/bride for men who need a well-heeled partner to show off.

“When My Love Blooms” (화양연화 – 삶이 꽃이 되는 순간)

“When My Love Blooms” started off so strong and promising that I had high hopes for this years. You usually can’t go wrong with Yoo Ji-tae and Lee Bo-young in the lead roles. But while the actors did a great job of embodying their complicated roles, I ended up not appreciating either character very much.

“Little Women” (작은 아씨들)

“Little Women” is a female-led K-drama that’s a loose adaptation of Louisa May Alcott’s novel of the same name. And I mean really loose. The central characters share some of the personality traits as the book’s sisters. And a primary theme in both revolves around the class distinctions between the wealthy and the poor. But this Korean version has its own tale to tell. The show doesn’t vilify the rich so much as it presents scenarios where good people are tempted to commit a crime, because they have nothing left to lose.

“Yumi’s Cells” (유미의 세포들): Season 2

The second season of “Yumi’s Cells” picks up where season one left off. After Yumi and Woong’s breakup, she ventures into a new relationship with an exceedingly attractive colleague named Ba-bi. They go on sweet dates and slowly fall in love. But when things seem too good to be true, Yumi almost anticipates their breakup. That’s what she has come to expect from men.

“Yumi’s Cells” (유미의 세포들): Season 1

Yumi is a woman in her early thirties, who had spent most of her twenties with a man who used her financially, cheated on her and then left her after seven years together. She viewed those as wasted years and, in some ways, is correct. Doting on a partner who doesn’t value you is nothing to be proud of. But there’s also something to be said for learning from negative experiences.

“Our Blues” (우리들의 블루스) Is One Of the Best K-Dramas in Recent Years

At first glance, “Our Blues” appears to be about a somewhat eccentric community of folks in Jeju-do — South Korea’s largest island. And it is. But it’s also about so much more. Over the course of 20 episodes, the series weaves together the complex stories of more than a dozen characters, creating a larger picture of love, forgiveness, and what it means to truly look out for one another.

“Military Prosecutor Doberman” (군검사 도베르만)

“Military Prosecutor Doberman” explores some of the same themes as last year’s superior “D.P.” — but with more fight scenes, comedy and shirtlessness, courtesy of the series star Ahn Bo-hyun (“Itaewon Class”). It also stars Jo Bo-ah as his kickass colleague who’s as full as vengeance as he is.