Blur

Blur has always been a band that mainstream America just didnt get. Maybe it was vocalist Damon Albarn’s exaggerated accent or the quintessential British characters he likes to write about, but it seemed that Blur’s fate was to play to a small group of Anglophiles who adored them. That should change with their self-titled record, which was released last week. At their sold-out show at the Riviera Theatre Saturday night, the four-man group (supplemented by a keyboardist and a two-man horn section) went top heavy on cuts from Blur, which is the most accessible of their five albums. They gave their fans a deliriously fun 1-hour 40-minute set that had music, style and showmanship.

A sober ‘Party of Five’: Fox series examines alcoholism

There is a moment in tonight’s episode of “Party of Five” when Bailey Salinger (Scott Wolf) stares vacantly at his brother and sisters as they confront him about a drinking problem he doesn’t believe he has. Sallow and dazed, he looks like a hollow shell of the ruddy teen who took it upon himself to keep the orphaned family together three seasons ago.

No Doubt calls out the flock to pitch in with Toys for Tots

“I’m not a male,” Gwen Stefani said. You wouldn’t think that the willowy blonde would have to state the obvious. But as the frontwoman for No Doubt, which has the No. 1 album in America, she has grown used to speculation and innuendo. But even Stefani was surprised at the latest rumor being spread about her on the Internet: that she has too little body fat to be a woman and therefore must be a transsexual. “I have to work out all the time ’cause if I don’t I’d get really chubby,” said Stefani, 26. She tried to punctuate this point by scrunching up her black sweater – a present from Gavin Rossdale of Bush – and pinching her stomach “fat.” Her fingers had little to grasp.

Kula Shaker debut stacks up as one of best shows of ’96

With his saucer-sized eyes and wispy blond bangs, Kula Shaker vocalist-guitarist Crispian Mills didn’t look like he could cause much damage when his band made its Chicago debut Saturday night at the Double Door. But looks are deceiving. While Mills’ angelic face may be that of a pinup boy, the 23-year-old musician is a rightful heir to the rock-god throne. He is a frontman who oozes charisma and confidence, minus the arrogance. More importantly, Mills has a distinctive voice that is as capable of handling Far Eastern mantras as blues-based numbers.

Overshadowed by Wallflowers: Blues Traveler no match for its opener

It wasn’t that the Wallflowers were particularly physical performers. If anything, they remained as immobile on stage as Blues Traveler. However, their songs had variety and veered in tempo, and singer-guitarist-songwriter Jakob Dylan’s passionate delivery made each song spring to life. The Wallflowers are having their first taste of commercial success, thanks to their haunting hit single, “6th Avenue Heartache.” Their hourlong set included most of the songs on their latest album, “Bringing Down the Horse,” as well as a rocking cover of “Tears of a Clown.”

Los Lobos turns up the beat

You wouldn’t expect to see fans doing the polka at a rock concert, but then again, Los Lobos isn’t just any old rock ‘n’ roll band. So when the East Los Angelenos kicked into a rowdy polka, Latin style, halfway through their sold-out concert Friday night at the Riviera, the fans followed suit by partnering up and actually dancing (rather than body surfing or slam dancing).

Melissa Etheridge goes 2nd stage for fans

At most rock concerts at the Rosemont Horizon, the poor suckers stuck in the back rows have to make do with catching glimpses of the performers on the huge video monitors. Not at Melissa Etheridge’s show Saturday night. An hour after her 8:20 start, the singer briefly disappeared, only to reappear on a makeshift stage at the back of the stadium, where she played for the next 50 minutes.

The Smashing Pumpkins are back – with spectacular intensity

You’d think that after performing for almost 2 1/2 hours and giving the audience three sets of encores, the Smashing Pumpkins would have run off the stage after their sold-out concert Friday night at the Rosemont Horizon. But when the house lights came on, there was a strange sight on stage. Singer Billy Corgan was still there, acknowledging the adulation of his cheering fans and obviously relishing the band’s triumphant homecoming.

Oasis

Noel Gallagher appeared comfortable taking the stage without his brother. Whether he stayed in his usual spot–stage left–out of habit or respect for his brother is debatable (although I’m guessing the former). But if there was any question about his ability to command a crowd’s attention with his voice, it was quickly dispelled when he started their 15-song, 85-minute set with “Acquiesce,” a track not included on either of their albums. As he sang the telling refrain, “‘Cause we believe in each other,” the crowd furiously pogoed its approval back at him.

Oasis says it’s the best band in the world. Are you paying attention?

At the Aragon soundcheck, it was Liam who was intent on hassling Noel. The moody singer jumped off the stage and meandered around the venue playing with a worn soccer ball. Looking at Noel, who was still rehearsing, Gallagher took aim and expertly kicked the ball to or, depending on who you asked, at his brother. Noel stopped the ball with his right foot, but wouldn’t surrender it to Liam until the song was over.

Sporting technicolor hair, Johnny Rotten leads the original Sex Pistols in a concert Saturday at the Aragon Ballroom

Fans at the Sex Pistols’ reunion concert at the Aragon Saturday night spit, swore and threw plastic cups filled with beer, ice and soda at the aging punk rockers. Kinda makes you wonder what they would’ve done if they hadn’t liked the band so much. Yes, it was just like the old days, except the Pistols didn’t return the volleys as they would have in their late 1970s heyday.

Beck roars out in Metro opener

Envy those who have tickets to this solid, eclectic sold-out concert. If ever there was a male waif, it’s Beck Hansen. Thin and slight, his frame gives off the misleading impression that he’s a small child playing at being a rock star. But Thursday – in the first of two sold-out nights at Metro – the multitalented musician roared out with confidence and turned in one of his most solid, eclectic sets. Beck’s music personifies what now has become a generic definition for “alternative.”

Brian Setzer and orchestra show fans great time

Sometimes you get so used to being uncomfortable at concerts that it’s easy to forget just how much fun a rock show can be. At Brian Setzer’s sold-out gig on Monday night at the Skyline Stage on Navy Pier, no one moshed or body surfed. The smell in the air wasn’t of pot and cigarettes, but rather a light fragrance of Bryl Creem and other hair products.

Goo Goo Dolls give Taste a big finish

The Goo Goo Dolls skyrocketed to stardom last year on the strength of their bittersweet ballad “Name.” The difference between the Goo Goo Dolls and most rock bands, though, is that guitarist Johnny Rzeznik has a voice that’s consistently alluring live, whether he’s singing a searing rendition of the Plimsouls’ “Million Miles Away” or conveying the chaos of “Long Way Down.”

Cocker Puts Pop In Britain’s Pulp

Jarvis Cocker is a tall, stick of a man who doesn’t look as if he could possibly possess the deep, rich, resonating voice he has. At Pulp’s sold-out concert Tuesday night at Metro, the gangly, twitching front man for the British sextet could’ve been a laughingstock if his strange antics were all he had to offer. But as with most great performers, he used his body to accentuate the positive, which in this case is the band’s superbly lyrical songs.