Music, music, music
I’ll be updating this page periodically to include music that’s piquing my interest at the moment. Song of the day: “Pretty Baby” by Blondie.
Journalist, Author & Syndicated Columnist
I’ll be updating this page periodically to include music that’s piquing my interest at the moment. Song of the day: “Pretty Baby” by Blondie.
“When you travel, you bring back what you’ve heard and you also take with you what you know,” said musician Charlie Sexton. “There’s this amazing Chinese instrument [sanzian] with a long neck and a little snakeskin body. It’s a three-string instrument and I’m obsessed with it. I’ve heard it being played on the street in various parts of the world, and it has the most beautiful, haunting sound.”
For Molly Leary, giving up her music career in Austin to move back to California’s Gold Country was a no brainer. Both her young daughters had been diagnosed on the autism spectrum and California had the kind of resources to treat children with special needs that weren’t available to them in Texas. Another bonus was that Leary’s family lived nearby. Though she still performs occasionally when her boyfriend – the guitarist and songwriter Charlie Sexton – asks her to join him on stage, the entrepreneur said she’s fulfilled curating her one-of-a-kind online clothing store Squash Blossom Vintage.
Back in the mid-1980s, 17-year-old Charlie Sexton was in a unique situation. The guitar sensation headlined at clubs across the country but was legally too young to order a beer at any of them. He was encouraged to trade his rootsy blues style for synth-driven rock and had a minor hit with “Beat’s So Lonely.”
Visually, Dogstar is all about Keanu Reeves, but the movie star bassist takes a back seat to vocalist-guitarist-lyricist Bret Domrose on record. Live, Domrose’s vocals tend to get drowned out by Reeves and drummer Rob Mailhouse, but the mix on this record fixed that problem.
Call them a supergroup, and the Arc Angels will shrug off the compliment. “Maybe we’re an almost supergroup,” says vocalist-guitarist Charlie Sexton. “We’re not there yet.”
A huge stars-and-stripes banner emblazoned with the Arabic numeral “1” and “Material Issue” served as a not-so-subtle backdrop for the Chicago trio when it kicked off a national tour over the weekend with concerts at the Oak Theatre.
As a pre-teen, Charlie Sexton studied guitar with the late Stevie Ray Vaughan. Now 23, the former solo artist is teamed up with two members of Vaughan’s band Double Trouble, as well as another Vaughan pupil.
“I wave a banner for Charlie (Sexton),” David Bowie said, calling from Liverpool, England. “I like him a lot. He’s a good kid and very talented. Yes, he’s very pretty, but he didn’t need to be oversold. (MCA) saw him as a one-man Duran Duran, which was a big mistake. Charlie’s a blues boy and that’s where he really shines. Arc Angels probably is the best thing for him at this point in his career.”
Many musicians say they learned how to rock ‘n’ roll in their garages. But Sidewinders guitarist Rich Hopkins may be the first to have honed his guitar skills during a three-year stint with the Peace Corps.
“I was your typical bossy older brother,” Charlie Sexton said, laughing. “But Will really loved music. Soon after learning bass, he switched over to play lead guitar, too. I tell him a little bit of what I learned, but he’s my younger brother and I don’t want to give him a hard time. So I usually wait until he asks for my advice before I go butting into his life.”
Charlie Sexton’s self-titled debut album doesn’t make as strong an impact as his debut “Pictures for Pleasure.” But just when you’re ready to accuse him of suffering from the sophomore slump, Sexton’s skillful guitarwork and deep, emoting voice convince you he’s worth believing in.
“TAMI Show sounded so professional I thought they had already been signed,” Nigel Harrison said in a phone interview. “When I found out they weren’t, I couldn’t believe it. I called up Chrysalis and told them they had to hear this band.
Tonio K.’s latest album, “Notes From The Lost Civilization,” is a cohesive collection of songs. Utilizing the talents of his friends Sexton, Peter Case, Billy Vera, Booker T. Jones and T Bone Burnett, Tonio K. takes his music less seriously than critics who’ve at turns dubbed him a poet and a jester. K.’s music falls into a happy medium somewhere between serious art and giddy pop.
“I think I was very lucky because I knew what I wanted to do at a very young age,” Will Sexton said. “My mother was very encouraging about everything we chose to do. So when Charlie and I were 10 and 8, we’d be dragging our guitars to clubs with our mom. Some people thought that was kind of funny but we were dead serious about our music. Hard work pays off. So when people say, `You’re awfully young to have a record deal,’ I think, ‘Yeah, but I’ve been playing more than half my life.'”