Journalist, Author & Syndicated Columnist
Sex Is Zero is to South Korea what Porky’s, American Pie, and Fast Times at Ridgemont High are to the United States. The Korean film has all the classic elements of a sex comedy: gratuitous breast shots, unusual use of bodily fluids, and a plot that’s secondary to the physical comedic skills of the actors.
A quiet film by French-Canadian Robert Lepage (creator of Cirque du Soleil’s hit “Ka” production), “Far Side of the Moon” is a thoughtful look at a middle-aged man who is lonely, underemployed, and respected by no one–not even his twin brother. Lepage plays the dual roles of outcast Phillippe, a fortysomething telemarketer trying to earn his doctorate, and Andre, a selfish and lazy weatherman.
A remake of the 1983 film of the same name, “Zu Warriors” is a martial arts drama set in a fantasy world where stoic warriors battle a powerful demon. With each kill, the horrific beast consumes their souls, making himself stronger and more difficult to slay.
Filmed like an art-house project, “I Love Your Work” offers thoughtful insight to fame from both the celebrity’s and the fan’s points of view. When you’re a celebrity, every fan is a potential stalker. Or at least that’s how movie star Gray Evans (Giovanni Ribisi) sees it. An A-list actor married to a sex symbol, Gray wants to see things clearly in black and white. But his world is a cloudy haze of gray.
A bittersweet film about an Irish immigrant working as a mid-level prostitute in Manhattan, Claire Dolan tells a darkly intriguing story that is less about sex than trying to attain love. Dolan–portrayed with subtle melancholy by Katrin Cartlidge (who died in 2002 from complications of pneumonia and blood poisoning)–is too pragmatic to think she could ever fall in love with one of her clients. They are merely business transactions.
Taking a cue from “Memento,” “Unknown” uses flashbacks to tell its story, which is full of intrigue. A group of seemingly unrelated men (played by Greg Kinnear, Joe Pantoliano, Jim Caviezel, Berry Pepper, and Jeremy Sisto) find themselves in an abandoned warehouse, and each one claims he is suffering from amnesia.
“State Property 2” picks up where the first film left off, with Beans (rapper Beanie Sigel) serving hard time in a penitentiary for attempted murder.
Believe it or not, the extended DVD version of “The Lord of the Rings: The Return of the King”–which clocks in at a solid 4 hours and 10 minutes — doesn’t feel any longer than the film everybody saw at the multiplex. In stores today, the DVD includes 50 extra minutes of never-before-seen footage added into the original theatrical release, which won 11 Academy Awards.
Minnie Driver knew that when she released her debut album, “Everything I’ve Got in My Pocket,” some would be quick to dismiss her as just another actor-turned-wannabe-singer.
Lawd knows Lori Petty’s a busy woman. She’s an actress, painter, director and writer. But that hasn’t stopped the quirky actress from adding designer to her list of credits. Best known for her work in “A League of Their Own” and “Point Break,” Petty has a year-old line of casual wear called Lawd Knows that reflects her inspirational side.
Filmgoers are taken into the mournful world of a woman who never had a chance in “Woman, Thou Art Loosed.” Michelle Jordan’s God-fearing mother resented her for being around, while her “Uncle” Reggie enjoyed having her around all too much, making life at home even seedier than the strip club in which she would later work. As she later tells a childhood friend, “That ain’t my home. It’s just a place where part of me is buried.”
Ted Davis is the ultimate player. He’s cute, but not too good-looking. He’s charming without being overly smooth. As he notes early in “BachelorMan,” Ted knows he’s not God’s gift to women, but is just optimistic enough to think they’re God’s gift to him.
“If our gods and our hopes are nothing but scientific phenomena, then it must be said that our love is scientific as well.” With that quote from Auguste Villiers de L’Isle-Adam’s novel L’Eve Future, so begins the beautifully animated but excessively philosophical “Ghost in the Shell 2: Innocence.” The sequel to 1995’s “Ghost in the Shell” — which was one of the most successful anime films of all time — “Innocence” is ambitious and gorgeous to look at, but is so lacking in humanity that at times it is almost painful to watch.
It’s not often an actor buys his co-star. But then again, Viggo Mortensen isn’t your average actor. And come to think of it, the co-star isn’t some hot young filly — it’s a real horse. “I just fell in love with him [on the set of ‘Hidalgo’],” Mortensen says. “He doesn’t live with me [in Venice, Calif.]. He stays at a friend’s house, and I go over to ride him as much as I can.”
You’d think that tacking on an additional 43 minutes to the three-hour movie would be overkill. But the extended version actually feels shorter than the theatrical release — possibly because it tells a more thorough story. “Two Towers” continues where “The Fellowship of the Ring” left off. With the Fellowship splintered into two groups, Frodo and Sam head for Mordor to destroy the Ring.
There are some musicians who claim fame doesn’t interest them. Jacki, the central character in “Prey for Rock and Roll,” isn’t one of them. She wants to be rich, famous and adored. She wants to be a rock star. But when you’re pushing 40 with a wheelbarrow, and your band has to divvy up the $54 gig fee four ways, stardom is a pipe dream.
The year is 2084 and the human race has been isolated to the Tibetan mountains. Threatened by extraterrestrials who are taking over what’s left of Earth, the commanders send a young girl named Milly back in time to stop the aliens and thwart the threat. In Takashi Yamazaki’s stylish “Returner,” we see elements of films we’ve seen before. The slo-mo bullet-dodging shots are dead-on “Matrix.” The baby alien captured and tortured looks like it could be a first cousin to “E.T.” Throw in a little “Terminator” and “The Day the Earth Stood Still,” and you’ve got the makings of what could have been a lame ripoff.
The running theme through “Marci X” is, “You’ve got to be real.” That’s what Damon Wayans’ thug rapper Dr. $ says, and what Lisa Kudrow’s pampered Marci Feld parrots back. The thing is, there’s nothing real about the characters in this dismal comedy. Even as a satire, it fails because the filmmakers don’t understand the subject they’re satirizing.
Don’t bother asking who the ultimate winner is in the battle between “Freddy vs. Jason.” We’re not supposed to tell you. But suffice it to say you don’t have to be clairvoyant to realize this franchise isn’t going to die, even if one of the lead characters supposedly does.
By Jae-Ha Kim Chicago Sun-Times August 15, 2003 Ghandi once said, “A society can be judged by the way it treats its animals.” But what if the animal is a danger to society–then how is […]