State of being single not a sickness

I realize that no one’s going to mistake me for Tyra Banks and that Keanu Reeves probably won’t be knocking on my door any time soon with an engagement ring (although a girl can always dream). But I’ve got a good career going, my mental health is stable and I’m debt-free. In some countries, I would be considered a good catch.

“Autumn in New York”

“Autumn in New York” is a movie built to tug at our heartstrings. But with its rote story line, the film proves to be little more than pretty eye candy in the form of stars Richard Gere and Winona Ryder. Will Keane (Gere) is a 48-year-old womanizer who owns a hip New York restaurant. Celebrating her 22nd birthday at his restaurant, Charlotte Fielding (Ryder) catches his wandering eye.

Margaret Cho’s comic flair drives `I’m the One That I Want’

At the end of “I’m the One That I Want,” Margaret Cho declares, “I’m gonna stay here and rock the mike until the next Korean-American, fag hag, shit starter, girl comic, trash talker comes up and takes my place!” Any takers? This film version of Cho’s savagely funny one-woman show is true to the tour she took on the road last year.

“The Scarlet Pimpernel”

Fop by day, dashing hero by night, Sir Percy is the central character in “The Scarlet Pimpernel,” a swashbuckling musical comedy set during the French Revolution. That’s right. Swashbuckling. Musical. Comedy. Of the three elements, the comedy works best in this play, where the generic music does little to set the tone. The production–which opened Wednesday night at the Shubert Theatre–comes courtesy of Frank Wildhorn, whose other weird musicals include “Jekyll & Hyde” and “Civil War.” His musicals have a strong pop edge that don’t fit the period pieces he’s trying to create.