Journalist, Author & Syndicated Columnist
Dinah Manoff won a best actress Tony Award for Neil Simon’s “I Ought to Be in Pictures,” starred in the iconic TV shows “Soap” and “Empty Nest,” and will always be remembered as a Pink Lady in the film “Grease.” She’s also an author, who recently released an audiobook of her novel “The Real True Hollywood Story of Jackie Gold.”
“I am your No. 1 fan.” And so began Paul Sheldon’s terrifying encounter with Annie Wilkes, the obsessed character in Stephen King’s Misery who chopped off her idol’s feet so he couldn’t escape. (In the film version, she merely broke his ankles.) In real life, celebrities such as Sheryl Crow, Mel Gibson and Catherine Zeta-Jones are dealing with their own slew of “No. 1 fans.” Some go to prison for their obsessive behavior. But others don’t.
Growing up, Margaret Cho had no pop culture role models. So, she selected Olivia Newton-John as her idol, even though the “Grease” star was about as white as they come. “She was Australian and foreign, so I identified with her,” says Cho. “Besides, she was so beautiful I wanted to be her. Everyone did.”
Margaret Cho has more than a few reasons to be bitter: At 8, Margaret Cho’s classmates dubbed her “Pee Girl.” At 12, she was ostracized by kids at church. At 14, she was raped by a 22-year-old man she met at a party. And at 16, Cho began a year-long relationship with a 26-year-old who tried to convince her to engage in a threesome.
Perhaps the best way to present “Grease” from now on is on ice. Ever since Olivia Newton-John and John Travolta starred in the 1978 film version of the play, most productions of the musical have been overshadowed by memories of the movie. But when you’ve got skaters performing double loops and death spirals, you tend to forget about the film and lose yourself in the fun.
If you were a Korean-American girl growing up in San Francisco in the 1970s, there weren’t too many Asian celebrity role models to pick from. So Margaret Cho chose pop star Olivia Newton-John: an Australian.
Before Shania, there was Olivia. In a greatest-hits concert Friday at the Chicago Theatre, Olivia Newton-John took the audience on a two-hour tour of songs that showed off her aptitude for country (“If You Love Me (Let Me Know)”), pop (“Xanadu”), rock (“You’re the One That I Want”) and ballads (“I Honestly Love You”). In the ’70s, when female country stars wore their hair big and their sequins even bigger, Newton-John – who was born in England, raised in Australia and pretty enough to be a model – ruffled many Nashville purists by winning the 1973 Grammy Award for best country vocalist.
At the end of the month, Olivia Newton-John will get out of jail. In a movie role, of course. “I begin shooting `Sordid Lives’ when this tour is over,” Newton-John says, phoning from Atlantic City, N.J. “I play a singer who just got out of jail. So she’s a little tough. I think it’ll be fun for me because it’s so interesting to do different things.” Playing a felon isn’t something that fazes Newton-John. But playing a guitar is.