Journalist, Author & Syndicated Columnist
The banner behind the drum kit read “Be Silent. Consume. Die.” When Ned’s Atomic Dustbin made a return engagment Tuesday night at a sold-out show at the Cabaret Metro, the five young Brits took a similarly simple, minimalistic approach to their music, assaulting the audience with a barrage of sounds that joyously paid homage to punk, thrash and pop.
Back when Ned’s Atomic Dustbin started, the five-man British group was lumped in with Jesus Jones and Pop Will Eat Itself in a genre called grebo rock. In English schoolyard lingo, “grebo” is the equivalent of “dork.” In pop jargon, it refers to a long-haired, smelly person. Either way, Ned’s considers the term appropriate.
For all that’s been said about its innovative use of sampling, Jesus Jones ultimately is a taut rock ‘n’ roll band that gives concertgoers something worthwhile to look at, as well as listen to. Returning to Chicago for a sold-out gig Friday night at the Aragon Ballroom, the British group performed a confident, polished set that showed how much it matured musically since first touring the U.S. a year ago.
With Jesus Jones, what you hear isn’t always what you get. Spearheaded by songwriter-vocalist Mike Edwards, Jesus Jones is a band that uses sampling as an art form rather than an easy way out. The sound snippets Edwards selects to sample are rarely left in their original state. Rather, he creates new sounds by elongating sighs, changing pitches and distorting voices.