Category: Stage

“Stars on Ice”

Jae-Ha Kim

It used to be that competitive skaters turned to ice shows after they won their medals and wanted to lay off the training. Not any more. With shows like “Stars on Ice,” which glided into town Saturday night at the Rosemont Horizon, many professional figure skaters are in the same physical condition today as when they trained for the Olympics and the World Championships. The two-hour show included something for everyone. American ice princess Kristi Yamaguchi vamped to Elvis’ “Trouble,” executing flawless jumps, while fellow Olympic gold medalist Scott Hamilton skated all the roles in a whimsical salute to the “Wizard of Oz.”

Chita Rivera Dazzles in `Spider Woman’

Jae-Ha Kim

Chita Rivera made a triumphant return Wednesday evening when “Kiss of the Spider Woman” opened a five-night run at the Chicago Theatre. Dancing up a storm and singing in perfect voice, the 63-year-old Broadway star gave a smoldering performance that made all the difference in the world. Last year when the musical opened at the same theater, Rivera’s understudy took her place on opening night after Rivera injured her leg. And while all the actors did a fine job, the show was lackluster and I left feeling bored. Not so this night. Regal and poised, Rivera (who won a 1993 Tony Award for her role) started and closed the show with a standing ovation.

Role Rings True for `I Hate Hamlet’ Star Stephen Caffrey

Jae-Ha Kim

It’s not coincidental that actor Stephen Caffrey is sporting a George Clooney-ish look these days. The star of Paul Rudnick’s play “I Hate Hamlet” portrays a character who used to be an actor on a popular series set in a hospital. “I don’t want to make it sound like I’m basing it on him, but the character in the play is an actor who was on a television series called `L.A. Medical,’ ” Caffrey said. “And he leaves the series after five years and goes back to New York. So it was sort of like what would be the contemporary version of `L.A. Medical,’ and it was `ER,’ right? And George Clooney seemed like a good prototype?”

`Ex’ Marks Spot For Revenge, Fun

Jae-Ha Kim

There’s a new improv play in town called “Sue Your Ex” that just might be the cure if you’ve been dumped and want revenge. There are lots of things we can do to make ourselves feel better after a relationship sours. But remember – stalking’s illegal. “Sue Your Ex” provides an alternative. There’s nothing quite like having the support of a rapt audience as your love life is played out before you by an ensemble cast.

Music, Dancing Best Bets in ‘Song of Singapore’

Jae-Ha Kim

If you like actors mingling in the audience and cajoling you to dance with them, then “Song of Singapore” is just the play for you. But if you prefer that actors remain on stage and don’t touch the ticket holders, you’ll want to skip the latest interactive play to hit Chicago. “Song of Singapore” – which opened Monday night at the Pipers Alley Entertainment Complex – isn’t nearly as obnoxious as the preternaturally successful “Tony ‘n’ Tina’s Wedding,” which still is running at Pipers Alley in a theater next door.

‘Forever Plaid’ Flaunts, Taunts Boy Wonders

Jae-Ha Kim

“Forever Plaid” is a tribute to the guy groups of the ’50s and ’60s who dressed exactly alike, performed choreographed moves and sang beautiful, heartbreaking harmony. It also is a hilarious, quick-paced 90-minute musical comedy that sends up those groups as much as it pays homage to them. Like the songs, “Forever Plaid” is light and frothy. At Tuesday night’s opening at the Royal George Cabaret Theatre, the four starring actor; singers perfectly depicted the euphoria of being in front of an audience while conveying the pathos of being dead.

`Bradys’ Go Over Big with Park West Bunch

Jae-Ha Kim

Here’s the story/of a TV sitcom/that just wouldn’t ever really go away/Though folks can see reruns on Channel 50/They still pay big bucks to see the live play. Since Chicago sisters Jill and Faith Soloway staged their first line-for-line recreation of a “Brady Bunch” episode three years ago at the Annoyance Theatre, their production of “The Real Live Brady Bunch” has taken on a life of its own. Running through Monday, the play returned to Chicago Tuesday night to a full house at the Park West.

Greek Classic Gets Japanese Twist in `Kabuki Medea’

Jae-Ha Kim

With “Kabuki Medea,” Wisdom Bridge Theatre uses traditional Japanese Kabuki-style theater to tackle Euripides’ Greek classic “Medea.” The result is a splendidly clever tale that is familiar, enacted in a way that is not. Almost 400 years old, Kabuki theater is based on highly stylized and exaggerated moves. In Shozo Sato’s production, which opened Monday night, the actors speak English, but with exaggerated Asian inflections. The rich costumes and demure movements are decidedly Japanese, but the thoughts behind them are Western. The Greek locales in Euripides’ play are substituted by medieval Japanese islands. This adaptation keeps the Western names that Euripides gave his heroes. By the end of the first act, the audience doesn’t find it at all surprising that a Japanese nobleman would be named Jason.

`Cannibal’ Show Revels In Warped Wackiness

Jae-Ha Kim

A man has sex with a hamburger. A drug addict accidentally snorts a line of cremated body. A woman makes love to office equipment. A man gets nuked in a microwave. Welcome to “Cannibal Cheerleaders on Crack,” where blood flies and vomit flows – theater’s own little freak show. Regardless of taste, Chicagoans are eating “Cannibals” up. The grossly wacky socio-political comedy celebrates its second anniversary Sunday at the Torso Theatre. (It debuted Nov. 14, 1990.) The plot is less important than the farcical mayhem.

Witty `Elvis’ touches the soul, baby

Jae-Ha Kim

It’s Christmas Eve and Trudy Davis is alone. Not a big surprise, considering she’s a xenophobic bulimic who views food as “unmasticated vomit,” duct tapes her microwave shut and stocks her fridge only with Evian water. Trudy is a woman who needs a little fun in her life, and when she puts Elvis Presley’s “Are You Lonesome Tonight?” on her stereo, the King’s apparition answers her self-pitying call.