How “Broker” and “Return to Seoul” reveal hard truths about Korean adoption

In an unusual cinematic coincidence, two critically acclaimed films about South Korean adoption were released in December depicting different sides of the adoption story. Broker focuses on a teenage girl who leaves her infant at a church’s safe haven baby box, while Return to Seoul tells the story of a French woman who reunites with her birth family just days after arriving in Korea. To better understand how these films speak to real-life adoptees, I talked to Korean academics, human rights experts, and adoptees. My reported piece for MASHABLE.

Don’t believe the K-dramas: Look to “Return to Seoul” for a more realistic view on Korean adoptees

In the superb “Return to Seoul” – which is Cambodia’s Oscar entry for the Best International Film category – French Cambodian filmmaker Davy Chou (“Golden Slumbers”) takes a look at what it means to be an adoptee who unexpectedly is reunited with her birth parents.

“The Dude in Me” (내안의 그놈)

“The Dude In Me” is a 2019 Korean fantasy film that centers on a high-ranking gangster and a high school student. When the latter accidentally falls from his school roof, he lands on the mobster. While neither dies, the mishap somehow switches the pair’s bodies and minds. Now, wiseguy Pan-soo is trapped in the body of chubby and bullied teenager Dong-hyun, while Dong-hyun is stuck in Pan-soo’s comatose body.

A Brief History of K-cinema

For many Westerners, Korean cinema didn’t enter their consciousness until the unparalleled success of the film “Parasite: in 2019. The gripping film deals with socio-economic discrepancies specific to modern-day South Korea, but the clever and sometimes brutal storyline hit a nerve with filmgoers worldwide. The film won the Palme d’Or at the Cannes Film Festival, an Oscar for Best Picture at the Academy Awards, and a BAFTA for Best Film Not in the English Language at the British Academy of Film and Television Arts.

“Seoul Vibe” (서울대작전)

“Seoul Vibe” is full of backstabbing, murder and mayhem. Director Moon Hyun-sung does a commendable job at keeping the plot moving, but he knows that the wild car chases are the key to this movie. 

“Emergency Declaration” (비상선언)

In the span of time it takes for a plane to fly from Seoul to Honolulu — approximately nine hours — a psychopath boards an airplane at Incheon International Airport and releases a deadly biological pathogen onboard, which results in passengers getting sick and/or dying (and turning on each other). And, oh yeah, scientists on the ground  develop an antigen to combat the virus.

“Juror 8” (배심원들)

In 2008, South Korea held its first ever trial by jury in Dageu. In that trial, jurors deliberated for two hours before deciding that the 27-year-old man accused of robbing and assaulting a 70-year-old woman in her home was guilty. “Juror 8” is not a fictionalized version of those events. Rather, it’s a story about a man who plead guilty to murdering his mother and the first Korean jury that will determine his sentence.